A Multimodal Analysis of Discourse and Narrative In Kurdish Television Documentaries

A. Saleh, K. A. Rasul, Ken Fero
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Abstract

From the perspective of multimodal discourse analysis, this paper analyses Kurdish television documentary film that produced by Kurdish television during the Islamic State in Iraq and Syria ISIS period in Iraq, exploring the discourse of the film by examining the visual, verbal, soundtracks modes, also considering how those modes work together to create narrative structure in the extracted film. The investigation has been done through applying, Iedema (2001) Reading Images: Visual Grammar by Kress & Van Leeuwen (2006; 2020; 1996). To deconstruct the elements of documentary film A modern software named Multimodal Video analysis by Kay L. O’Halloran & E (2013), has been applied. Results show, the extracted film has been produced by shaping the footages into an artefact by putting recorded  materials together to make narrative structure, the deployment of various modes in the dynamic discourse, make the documentary films more effective in order to achive its discourse, Kurdish Television attempted to confirm ISIS brutality, ISIS crimes against Kurdish people, and displacement of Innocent civilians including children.
库尔德电视纪录片话语与叙事的多模态分析
本文从多模态话语分析的角度,对伊拉克伊斯兰国和叙利亚ISIS时期库尔德电视台制作的库尔德电视纪录片进行分析,通过考察视觉、言语、配乐等模式来探索影片的话语,并思考这些模式如何共同作用,在提取的影片中创造叙事结构。通过应用Iedema(2001)的《阅读图像:视觉语法》,Kress & Van Leeuwen (2006);2020;1996)。为了解构纪录片的元素,我们使用了Kay L. O 'Halloran & E(2013)的Multimodal Video analysis现代软件。结果显示,提取出来的影片通过将记录材料组合在一起形成叙事结构,将影像塑造成人工制品,在动态话语中运用各种模式,使纪录片更加有效,以实现其话语,库尔德电视台试图证实ISIS的暴行,ISIS对库尔德人的罪行,以及包括儿童在内的无辜平民的流离失所。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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