Applying User-Centered Techniques in the Design of a Usable Mobile Musical Composition Tool

Kevin Gray Chan, J. A. Deja, John Patrick Tobias, Allen Vincent Gonzales, Migo Andres Dancel
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引用次数: 5

Abstract

In this study, we present the music composition tool Flow and how an interaction was designed that led towards introducing balance in the work of musicians across all stages in musical composition. Observation and user research led to having a deeper understanding of the various needs, gains and pain points musicians encounter when composing. Musicians and composers who participated in the study, came from varying levels of expertise from beginner (those with less than 7 years) and veteran (those with beyond 10 years experience). An iterative process of design and development was continuously employed which led to improving the interaction design within the prototype. The processes described in this study show how insights were uncovered from a comprehensive set of usability tests and inspections done. These insights led to the development of a more usable and acceptable musical composition tool as seen from the results in the user tests. It can be observed that varying levels of expertise in music composition leads to different expectations and needs with regards to a music composition prototype. Results of the user tests show that Flow achieved a level of satisfaction and usability at par with the industry-standard tools.
应用以用户为中心的技术设计一个可用的移动音乐作曲工具
在本研究中,我们介绍了音乐创作工具Flow,以及如何设计交互,从而在音乐创作的各个阶段引入音乐家的工作平衡。通过观察和用户研究,我们对音乐家在作曲时遇到的各种需求、收获和痛点有了更深入的了解。参与这项研究的音乐家和作曲家有着不同的专业水平,从初学者(少于7年的经验)到老手(超过10年的经验)。设计和开发的迭代过程不断被采用,从而改进了原型内的交互设计。本研究中描述的过程显示了如何从一组全面的可用性测试和检查中发现洞察力。从用户测试的结果来看,这些见解导致了更可用和更可接受的音乐作曲工具的开发。可以观察到,不同水平的作曲专业知识会导致对作曲原型的不同期望和需求。用户测试的结果表明,Flow达到了与行业标准工具相当的满意度和可用性水平。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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