MANDIEK ANAK AS PERFORMANCE AT SALAREH AIA

Surya Farid Sathotho
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Abstract

Mandiek anak is rituals as part of baralek gadang. Although baralek gadang is a marriage ritual known in the West Sumatra region or Minangkabau, but mandiek anak is only known in the Nagari Salareh Aia region. This ritual aims to show society the social status of the organizer of the mandiek anak. Theatre anthropology shows how mandiek anak can be seen as a performance. In this approach, mandiek anak is treated as a performance that can be analyzed the forming elements. The method used to conduct research is purposive sampling. The resulting description is analytical to the phenomenon found. With a comprehensive description, it can be seen that the elements of mandiek anak as a performance can be identified. The performance elements in scripts, players, audiences and places look real. Mandiek anak scripts are all rules that ensure the passage of mandiek anak in an orderly and smooth manner. Players and spectators have intense interactions and a real-looking performance venue. The results of this study expect to show how mandiek anak as performance has a particular form that makes it can be passed down to the supporting community. Keywords: mandiek anak, teater antropology, performance
Mandiek anak是baralek gadang的一部分。虽然baralek gadang是在西苏门答腊地区或米南卡保为人所知的一种婚礼仪式,但mandiek anak只在Nagari Salareh Aia地区为人所知。这个仪式的目的是向社会展示组织者的社会地位。戏剧人类学展示了《曼迪克·阿纳克》如何被视为一场表演。在这种方法中,mandiek anak被视为一个性能可以分析的形成元素。进行研究的方法是有目的抽样。由此产生的描述是对所发现现象的分析。通过全面的描述,可以看出作为一种表演的曼迪克·阿纳克的元素是可以识别的。剧本、演员、观众和场所的表演元素看起来都很真实。Mandiek anak脚本是所有的规则,以确保Mandiek anak的通过有序和顺利。演员和观众之间有激烈的互动,还有一个真实的表演场地。这项研究的结果表明,曼迪克阿纳克作为一种特殊的表演形式,使它能够传承给支持它的社区。关键词:mandiek anak,戏剧人类学,表演
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