THE INFLUENCE OF THE UKRAINIAN REVOLUTION OF 1917–1921 AND THE SECOND WORLD WAR ON THE DRAMATURGY OF YURI YANOVSKY

S. Kondratieva
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Abstract

The relevance of the study is determined by the lack of works that consider the impact of war and revolution on the dramaturgy of Yuri Yanovsky. The purpose of the investigation is to analyze the impact of the Ukrainian Revolution of 1917–1921 and the Second World War on the writer's plays. This goal involves the performance of such tasks as the comparison of Yanovsky's biography and dramaturgical works, analysis of draft materials for plays, and consideration of final editions of works. The tasks set require the involvement of not only methods of philological analysis, but also textual criticism and source criticism methodology. Yanovsky's dramaturgy can be divided into pre-war and post-war. In the pre-war plays, which include "The Conquerors", "Duma about Britanka" and "Descendants", there is a clear influence of the revolution of 1917–1921. " Duma about Britanka" directly shows the revolutionary events, for the depiction of which Yanovsky turned to periodicals and communicated with eyewitnesses. In the other two plays, there are frequent references to the revolutionary past from various characters. The Second World War clearly influenced the development of two post-war plays, "Son of the Dynasty" and "The Prosecutor's Daughter". Yanovsky planned the first play with civilian issues, but revised it, showing how the characters face the realities of war. The writer changed the text of "Prosecutor's Daughter" several times. In the pre-war version, some characters mentioned their revolutionary past, but in the post-war versions, this changed to mentions of wartime. In the first post-war edition, the impact of the war on the lives of the characters was more pronounced, but in the second, the writer reduced it, in particular by removing the antagonism between the former front-line soldier and the fascist regime's guide. It can also be assumed that it was his own experience related to the war that made Yanovsky sensitive to this topic and prompted him to write the play "Paradise Camp" inspired by just one newspaper note. War and revolution had a powerful influence on the writer's dramaturgy, both as realities reflected in the text and, in the case of war, as a factor that prompted Yanovsky to make the current changes to the plays.
1917-1921年乌克兰革命和第二次世界大战对尤里·扬诺夫斯基戏剧的影响
该研究的相关性取决于缺乏考虑战争和革命对尤里·扬诺夫斯基戏剧影响的作品。调查的目的是分析1917-1921年乌克兰革命和第二次世界大战对作家戏剧的影响。这一目标包括比较扬诺夫斯基的传记和戏剧作品,分析戏剧的草稿材料,以及考虑作品的最终版本。所设定的任务不仅需要语言学分析方法的参与,还需要文本批评和来源批评方法论的参与。扬诺夫斯基的戏剧创作可以分为战前和战后。在战前的戏剧中,包括《征服者》、《关于布里坦卡的杜马》和《后裔》,明显受到1917-1921年革命的影响。《杜马论布里坦卡》直接反映了革命事件,因为亚诺夫斯基在期刊上对这些事件进行了描述,并与目击者交流。在另外两部剧中,不同的角色经常提到革命的过去。第二次世界大战明显影响了两部战后戏剧的发展,《王朝之子》和《检察官的女儿》。扬诺夫斯基计划第一部以平民问题为主题的戏剧,但后来对它进行了修改,展示了人物如何面对战争的现实。作者几次修改了《检察官的女儿》的文字。在战前版本中,一些人物提到了他们的革命历史,但在战后版本中,这变成了提到战时。在第一个战后版本中,战争对人物生活的影响更为明显,但在第二个版本中,作者减少了这种影响,特别是通过消除前前线士兵和法西斯政权向导之间的对抗。也可以认为,正是他自己与战争有关的经历使他对这个话题敏感,并促使他写了剧本“天堂营地”,灵感来自报纸上的一张便条。战争和革命对作家的戏剧创作产生了巨大的影响,一方面是文本中反映的现实,另一方面,战争是促使扬诺夫斯基对剧本进行当前修改的一个因素。
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