Maria Szymanowska and Shor: Genealogical Characteristics as a Source of Holistic Reconstruction of the Artist’s Creative Biography

Mariia Yanyshyn
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引用次数: 1

Abstract

The paper considers the genealogical aspect of the creative biography of the Polish pianist and composer Maria Szymanowska. Through the reference to the history of the Shore’sfamily, the preconditions for the formation of the artist’s worldview, the degree of heredity of her worldview and identity dimensions of the artist were analyzed. The study and comparison of Polish, Ukrainian and Jewish sources (P. Macheyko, I. Yezerska, A. Vernitska, and others) allowed to separate the line of family history of the Shores from the history of the Frankism movement and combine it with the creative biography of the artist. The important role of the Shores in the formation and spread of Frankism and family authority among the members of the sect provided responsibility for maintaining, adhering to, and following the instructions of Frankism that had a direct impact on the life and career decisions of Maria Szymanowska.
Maria Szymanowska和Shor:作为艺术家创作传记整体重建来源的谱系特征
本文考虑了波兰钢琴家和作曲家玛丽亚·希曼诺夫斯卡的创作传记的宗谱方面。通过对肖尔家族历史的参考,分析了肖尔世界观形成的前提条件、世界观的遗传程度和艺术家的身份维度。通过对波兰、乌克兰和犹太材料(P. Macheyko、I. Yezerska、A. Vernitska等)的研究和比较,可以将肖尔家族的历史与法兰克主义运动的历史分开,并将其与艺术家的创作传记结合起来。在法兰克主义和家族权威在教派成员中形成和传播的过程中,肖尔斯的重要作用提供了维护、坚持和遵循法兰克主义指示的责任,这对玛丽亚·西曼诺夫斯卡的生活和职业决定产生了直接影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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