{"title":"FEATURES OF THE 1993 INTERVIEW WITH THE KINOKURER NEWSPAPER","authors":"Hanna Kholod","doi":"10.51423/2524-0471-2020-11-2-11","DOIUrl":null,"url":null,"abstract":"Problem.The article is a continuation of the study of the processes of decanonization of the interview genre in the early 1990s. It clarifies the specifics of the interviews published in the newspaper \"Kinokurer\" (1993), through the analysis of materials at the semantic, compositional, figurative, linguistic, paralinguistic levels.Methodology. The descriptive method allowed to record everything that is needed to cover the research topic. Analysis and synthesis contributed to the formation of a holistic view of the specifics of the content, composition, design, image system of interviews published in the newspaper \"Kinokurer\" (1993). The object of the research is an interview in the newspaper \"Kinokurer\" (1993). The subject of the research is the specifics of the interview in the newspaper \"Kinokurer\" (1993). The purpose of the study is to find out the peculiarities of the interview in the newspaper \"Kinokurer\" (1993).Conclusions.Thus, in the newspaper \"Kinokurier\" (1993), in addition to classic interviews with different compositional variability and interviews-monologues, journalistic texts are used, in which the interview is dominant and which have the following modifications: genre combination, genre conglomerate, genre inlay, contributing to the maximum presentation of the image of the interviewee on the semantic, compositional, speech, paralinguistic levels. In journalistic texts, where there are interviews of foreign origin and textual additions of domestic journalists, the range of disclosure of the image of the interviewee increases due to the intercultural component.","PeriodicalId":222739,"journal":{"name":"Social Communications: Theory and Practice","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Social Communications: Theory and Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.51423/2524-0471-2020-11-2-11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Problem.The article is a continuation of the study of the processes of decanonization of the interview genre in the early 1990s. It clarifies the specifics of the interviews published in the newspaper "Kinokurer" (1993), through the analysis of materials at the semantic, compositional, figurative, linguistic, paralinguistic levels.Methodology. The descriptive method allowed to record everything that is needed to cover the research topic. Analysis and synthesis contributed to the formation of a holistic view of the specifics of the content, composition, design, image system of interviews published in the newspaper "Kinokurer" (1993). The object of the research is an interview in the newspaper "Kinokurer" (1993). The subject of the research is the specifics of the interview in the newspaper "Kinokurer" (1993). The purpose of the study is to find out the peculiarities of the interview in the newspaper "Kinokurer" (1993).Conclusions.Thus, in the newspaper "Kinokurier" (1993), in addition to classic interviews with different compositional variability and interviews-monologues, journalistic texts are used, in which the interview is dominant and which have the following modifications: genre combination, genre conglomerate, genre inlay, contributing to the maximum presentation of the image of the interviewee on the semantic, compositional, speech, paralinguistic levels. In journalistic texts, where there are interviews of foreign origin and textual additions of domestic journalists, the range of disclosure of the image of the interviewee increases due to the intercultural component.