MIMESIS VARIATIONS IN A. SHATSKOV’S POETRY BOOK “KULIKOVO FIELD TALES”

M. Dudareva, V. V. Nikitina
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Abstract

The object of the article is mimesis in art. The subject of the research is variations of mimesis in modern poetry. The material for the article is a new book of poems “Kulikovo Field Tales” by A. Shatskov. The focus of cultural and philosophical analysis is the interrelation of phenomenal and noumenal, rational and pre-rational in art. Much attention is paid to the problem of relationship between mimesis and cultural entelechy. Mimesis is understood as sacral recollection of other epochs and cultures by the wordsmith. Mimesis is described as an artistic practice. The research methodology is mainly represented by the holistic ontological-hermeneutic analysis of the modern poet’s book, aimed at highlighting the cultural potential of the mimesis problem in the digital epoch, which makes it possible to describe the importance of the poetic word for a Russian from the cultural-philosophical and ontological position, to deepen the comprehension of spiritual life of the literary artist. Much attention is given to the architectonics of the book of poetry, to the three-part composition designed according to the laws of man’s cosmic life cycle: from childhood to the epitome of life. The work results may be of interest to literary historians who include literature in the space of a broad dialogue of cultures; the book can also be useful in courses on cultural studies and Russian philosophy.
沙茨科夫诗集《库利科沃田野故事》的摹仿变体
本文的研究对象是艺术中的模仿。本文的研究对象是现代诗歌中的模仿变体。这篇文章的素材是一本新诗集《库利科沃田野故事》,作者a . Shatskov。文化和哲学分析的重点是艺术中现象与本体、理性与前理性的相互关系。模仿与文化整体性的关系问题受到了广泛的关注。摹仿被理解为对其他时代和文化的神圣回忆。模仿被描述为一种艺术实践。研究方法主要以对现代诗人诗集的整体本体论-解释学分析为代表,旨在突出数字时代摹仿问题的文化潜力,从而可以从文化哲学和本体论的角度来描述诗歌对俄罗斯人的重要性,从而加深对文学艺术家精神生活的理解。我们非常关注《诗经》的结构,以及根据人类宇宙生命周期规律设计的三部分组成:从童年到生命的缩影。这项工作的结果可能会引起文学史学家的兴趣,他们将文学纳入广泛的文化对话空间;这本书在文化研究和俄罗斯哲学课程中也很有用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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