Outer and Inner Space in Craig Thompson’s Blankets: A Visual Representation Perspective

Anamaria Fălăuș
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Abstract

Written in 2003, Craig Thompson’s graphic novel Blankets manages to arouse readers’ attention through its complex emotional background that entwines the protagonist’s constant attempts to live a normal, happy life with his psychological instability, as well as his personal coming-of-age and first love with strict religious education and a detachment from his childhood memories. This paper, however, attempts to analyse the concepts of space and time from the point of view of visual representation, the author succeeding in creating the idea of temporal development through constant flashbacks, inner space representations, the novel being retrospectively narrated; at the same time, a series of artfully coined images that symbolise winter’s purity and cleanliness come to oppose the ugliness of the social context (unspoiled versus ravaged outer space) that traps the hero in an impossible universe that annihilates any outbursts of creativity, ingenuity and love.
克雷格·汤普森的《毯子》中的外部和内部空间:一个视觉表现的视角
克雷格·汤普森(Craig Thompson)的图画小说《毯子》(blanket)写于2003年,它通过复杂的情感背景吸引了读者的注意力,主人公不断地试图过上正常、幸福的生活,但心理却不稳定,他的个人成长和初恋却受到严格的宗教教育,与童年记忆的分离。然而,本文试图从视觉再现的角度来分析空间和时间的概念,作者成功地通过不断的倒叙、内在空间再现、追溯叙事来创造时间发展的概念;与此同时,一系列巧妙创造的形象象征着冬天的纯洁和清洁,与丑陋的社会背景(未被破坏的外太空与被蹂躏的外太空)形成鲜明对比,后者将主人公困在一个不可能的宇宙中,扼杀了任何创造力、独创性和爱的爆发。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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