Hand sign method in playing angklung as tourists’ involvement in creative tourism: A case study on Saung Angklung Udjo

N. Riana, K. Fajri
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引用次数: 0

Abstract

Creative Tourism offers opportunities to the tourists to develop their creative potencies through an active participation, and digging the learning-by-doing experiences, which are the characteristics of Creative Tourism. Tourists gain the amusement and experience from the chosen activities they had taken. The challenge was, how to build the interaction and communication effectively thus the tourists would feel involved and experience the amusement during the performance. This research aims to describe how the Saung Angklung Udjo design the involvement of the tourists in their performances, and share the cultural knowledge transfer. The research method implemented in this paper is analytical descriptive with qualitative approach, whilst the method of data collection done by field observation and literature studies. The results showed that the concept of simple hand signs and good communication delivered by the Angklung Conductor had been attracted the tourists and got their involvement easily. The tourists were asked to play the Angklung instrument together, using the Kodaly method. This method met and brought the enjoyable experience for the tourists.
游客参与创意旅游中玩angklung的手语方法:以Saung angklung Udjo为例
创意旅游通过游客的积极参与,挖掘“边做边学”的体验,为游客提供了发挥创意潜能的机会,这是创意旅游的特点。游客从他们选择的活动中获得乐趣和经验。挑战在于,如何有效地建立互动和沟通,使游客在表演过程中感受到参与和体验乐趣。本研究旨在描述Saung Angklung Udjo如何设计游客参与其表演,并分享文化知识转移。本文的研究方法是定性分析描述性的方法,而数据收集的方法是实地观察和文献研究。结果表明,Angklung指挥员传达的简单的手势和良好的沟通理念吸引了游客,他们很容易参与其中。游客们被要求用Kodaly的方法一起演奏Angklung乐器。这种方法满足并为游客带来了愉快的体验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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