Poétique de l’intermédialité dans Monsieur Ki de Koffi Kwahulé

Guy Armand Mampassi
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Abstract

This reflection studies the poetics of intermediality in Monsieur Ki by Koffi Kwahulé. We try to show, thanks to the inventory of the media present and especially to their decryption, that the writing of this novel is located in the space of the in-between; which causes the explosion of the story and the crisis of genericity. In fact, the cohabitation of media and novelistic writing reveals an “out of the ordinary” narrative, fractured, fragmented and hybrid. With intermediality, novelistic writing turns its back on uniformity and coherence, to give birth to a formless, iconoclastic and rebellious novel. Monsieur Ki is thus understood as a postmodern novel; it takes into account an elusive and fragmented worldview. Keywords: Poetics of intermediality, space of the in-between, bursting of the narrative, crisis of genericity, atomization of the novel, hybrid coloring, postmodern novel.
Koffi kwahule的《Ki先生》中的中介诗学
本文对科菲·克瓦胡勒斯的《基先生》的中间性诗学进行了研究。我们试图表明,由于媒体的库存,特别是他们的解密,这部小说的写作是位于中间的空间;这导致了故事的爆发和慷慨危机。事实上,媒介与小说写作的共存揭示了一种“与众不同”的叙事,断裂的、碎片化的、混杂的。在中间性的作用下,小说写作摒弃了统一性和连贯性,产生了一种无形式的、反传统的、叛逆的小说。因此,《基先生》被理解为一部后现代小说;它考虑到了难以捉摸和支离破碎的世界观。关键词:中间性诗学,中间空间,叙事爆发,共性危机,小说原子化,混合色彩,后现代小说
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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