CHEKHOV AND SHOLOKHOV: REGULATED INTERSECTIONS

M. C. Larionova
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引用次数: 0

Abstract

Unregulated intersections, according to E.A. Yablokov, are artistic rapprochement of writers not connected to each other biographically. At first glance, the oeuvres of Chekhov and Sholokhov form such an unregulated intersection. However, it is seemingly unregulated, seemingly uncrossed. The article highlights the commonality of writers, who belonged to one ethno-cultural space. The author indicates the consilience of functions of the image of steppe in Chekhov’s short-stories and Sholokhov’s epic novel The Silent Don (Tikhy Don), the similarities and differences when it comes to the writers focus on the Cossacks and related issues. Thus, the comparison of the writers may be both within their typological commonality and genetic succession.
契诃夫和肖洛霍夫:规范的十字路口
在e·a·亚布洛科夫看来,不受管制的交集,是作家之间没有传记联系的艺术和解。乍一看,契诃夫和肖洛霍夫的作品形成了这样一个不受管制的交集。然而,它似乎不受监管,似乎没有被交叉。文章强调了作家的共性,他们都属于同一个民族文化空间。作者指出了契诃夫短篇小说与肖洛霍夫史诗小说《沉默的顿河》中草原形象功能的一致性,以及两位作家对哥萨克人及其相关问题的关注的异同。因此,作家的比较可能是在他们的类型学共性和遗传继承。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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