{"title":"СВІТОГЛЯДНІ ЗАСАДИ ТВОРЧОСТІ ЄВГЕНІЇ ГАПЧИНСЬКОЇ ЗА МАТЕРІАЛАМИ СЕРВІСІВ YOUTUBE ТА PINTEREST","authors":"Ліля Аметова","doi":"10.24919/2308-4863.5/28.208889","DOIUrl":null,"url":null,"abstract":"of E. Gapchinska is still not properly understood and introduced into scientific circulation (easel graphics, painting, monumental and decorative art, graphic, industrial, design of clothing and environment, advertising). Although today she is perhaps the most successful domestic artist-designer among the galaxy of young artists of the early 21st century who have a distinctive recognizable style. This is a significant scientific problem. After all, a full-fledged and not an amateur study of the art of the artist requires a thorough understanding of the information of her knowledge over the years, within certain series, cooperation with individual publishers (for example, A-ba-ba-ha-la-ma-ha), producers and sellers of industrial products (packaging design and boxes for the Auchan, Epicenter, ATB), cosmetics (Eve, Watsons, Cosmo) and confectionery (Lyubimov trademark, etc.). On the other hand, it is worth noting that Y. Gapchinska, although known far beyond Ukraine, and who has a specialized art education, is not a member of the Union of Artists of Ukraine. At the same time, collections of the National Art Museum of Ukraine and other state collections do not currently possess any of her works, which makes it impossible to search the primary sources in the archives and funds of these institutions.","PeriodicalId":443470,"journal":{"name":"Humanities science current issues","volume":"112 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-07-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Humanities science current issues","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24919/2308-4863.5/28.208889","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
of E. Gapchinska is still not properly understood and introduced into scientific circulation (easel graphics, painting, monumental and decorative art, graphic, industrial, design of clothing and environment, advertising). Although today she is perhaps the most successful domestic artist-designer among the galaxy of young artists of the early 21st century who have a distinctive recognizable style. This is a significant scientific problem. After all, a full-fledged and not an amateur study of the art of the artist requires a thorough understanding of the information of her knowledge over the years, within certain series, cooperation with individual publishers (for example, A-ba-ba-ha-la-ma-ha), producers and sellers of industrial products (packaging design and boxes for the Auchan, Epicenter, ATB), cosmetics (Eve, Watsons, Cosmo) and confectionery (Lyubimov trademark, etc.). On the other hand, it is worth noting that Y. Gapchinska, although known far beyond Ukraine, and who has a specialized art education, is not a member of the Union of Artists of Ukraine. At the same time, collections of the National Art Museum of Ukraine and other state collections do not currently possess any of her works, which makes it impossible to search the primary sources in the archives and funds of these institutions.