СВІТОГЛЯДНІ ЗАСАДИ ТВОРЧОСТІ ЄВГЕНІЇ ГАПЧИНСЬКОЇ ЗА МАТЕРІАЛАМИ СЕРВІСІВ YOUTUBE ТА PINTEREST

Ліля Аметова
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Abstract

of E. Gapchinska is still not properly understood and introduced into scientific circulation (easel graphics, painting, monumental and decorative art, graphic, industrial, design of clothing and environment, advertising). Although today she is perhaps the most successful domestic artist-designer among the galaxy of young artists of the early 21st century who have a distinctive recognizable style. This is a significant scientific problem. After all, a full-fledged and not an amateur study of the art of the artist requires a thorough understanding of the information of her knowledge over the years, within certain series, cooperation with individual publishers (for example, A-ba-ba-ha-la-ma-ha), producers and sellers of industrial products (packaging design and boxes for the Auchan, Epicenter, ATB), cosmetics (Eve, Watsons, Cosmo) and confectionery (Lyubimov trademark, etc.). On the other hand, it is worth noting that Y. Gapchinska, although known far beyond Ukraine, and who has a specialized art education, is not a member of the Union of Artists of Ukraine. At the same time, collections of the National Art Museum of Ukraine and other state collections do not currently possess any of her works, which makes it impossible to search the primary sources in the archives and funds of these institutions.
E. Gapchinska的作品仍未被正确理解并引入科学流通(画架图形、绘画、纪念和装饰艺术、图形、工业、服装和环境设计、广告)。尽管今天她可能是21世纪初众多年轻艺术家中最成功的国内艺术家设计师,他们拥有独特的可识别风格。这是一个重大的科学问题。毕竟,对艺术家的艺术进行全面而非业余的研究,需要彻底了解她多年来的知识信息,在某些系列中,与个别出版商(例如,a-ba-ha-la-ma-ha),工业产品生产商和销售商(欧尚,Epicenter, ATB的包装设计和盒子),化妆品(Eve, Watsons, Cosmo)和糖果(柳比莫夫商标等)的合作。另一方面,值得注意的是,Y. Gapchinska虽然在乌克兰以外很有名,并且接受过专门的艺术教育,但他并不是乌克兰艺术家联盟的成员。与此同时,乌克兰国家艺术博物馆的藏品和其他国家收藏目前没有她的任何作品,这使得无法在这些机构的档案和资金中搜索主要来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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