{"title":"Segmentation and Profiling of Media Communications: Industrial and Educational Determinants","authors":"Yefanov Aleksandr, Tomin Vitaly","doi":"10.15826/b978-5-7996-3081-2.35","DOIUrl":null,"url":null,"abstract":". The subject of this article is the explication of segmentation and profiling of media communications. The rationale is based on a combination of interdependent industrial and educational determinants. A case study method is used on the example of the best practices of National Research University Higher School of Economics, where ‘Media communications’ was developed. It is an innovative direction for the Russian educational space, which is currently included in the curriculum of more than ten universities of the country (not only in the federal center but in the regions as well). The research also involved a secondary analysis of statistical data. The productivity of this direction is de-termined both for the Russian media industry and higher education. 521 Abstract. The phenomenon of “new journalism” is studied, which is a hy-brid form of creativity that arose at the intersection of journalism and literature, and we consider it in connection with not only “literature of fact” in broad sense (non-fiction), but also separately with newspaper and magazine fiction publicistics and screen documentary, which includes documentary films and documentary and publicistic and sensational entertainment TV programs. Similarities, differences and effects of two types of media narrative — verbal and audiovisual — are established on the material of T. Capote’s novel “In Cold Blood”, domestic court essays, documentaries — “Supreme Court” of H. Franc and “Into the Abyss. A Tale of Death, a Tale of Life” of W. Herzog, as well as modern crime-law TV shows. The specified content is united by a specific genre of “true crime.”","PeriodicalId":314156,"journal":{"name":"Communication Trends in the Post-Literacy Era: Polylingualism, Multimodality and Multiculturalism As Preconditions for New Creativity","volume":"24 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Communication Trends in the Post-Literacy Era: Polylingualism, Multimodality and Multiculturalism As Preconditions for New Creativity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15826/b978-5-7996-3081-2.35","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
. The subject of this article is the explication of segmentation and profiling of media communications. The rationale is based on a combination of interdependent industrial and educational determinants. A case study method is used on the example of the best practices of National Research University Higher School of Economics, where ‘Media communications’ was developed. It is an innovative direction for the Russian educational space, which is currently included in the curriculum of more than ten universities of the country (not only in the federal center but in the regions as well). The research also involved a secondary analysis of statistical data. The productivity of this direction is de-termined both for the Russian media industry and higher education. 521 Abstract. The phenomenon of “new journalism” is studied, which is a hy-brid form of creativity that arose at the intersection of journalism and literature, and we consider it in connection with not only “literature of fact” in broad sense (non-fiction), but also separately with newspaper and magazine fiction publicistics and screen documentary, which includes documentary films and documentary and publicistic and sensational entertainment TV programs. Similarities, differences and effects of two types of media narrative — verbal and audiovisual — are established on the material of T. Capote’s novel “In Cold Blood”, domestic court essays, documentaries — “Supreme Court” of H. Franc and “Into the Abyss. A Tale of Death, a Tale of Life” of W. Herzog, as well as modern crime-law TV shows. The specified content is united by a specific genre of “true crime.”
. 本文的主题是媒体传播的细分和分析的解释。其基本原理是基于相互依赖的工业和教育决定因素的结合。采用案例研究方法,以国家研究型大学高等经济学院的最佳实践为例,在那里开发了“媒体传播”。这是俄罗斯教育空间的一个创新方向,目前已被纳入该国十多所大学的课程(不仅在联邦中心,而且在地区也是如此)。该研究还涉及对统计数据的二次分析。这一方向的生产力决定了俄罗斯传媒业和高等教育的发展。521年抽象。“新新闻学”现象是新闻学与文学交叉产生的一种混合创意形式,我们不仅将其与广义的“事实文学”(非虚构)联系起来,而且将其与报纸杂志小说宣传和屏幕纪录片分开考虑,其中包括纪录片和纪录片,宣传和煽情的娱乐电视节目。以卡波特的小说《冷血》、国内法庭随笔、弗兰克的纪录片《最高法院》和《走进深渊》为素材,确立了语言和视听两种媒介叙事的异同和效果。赫尔佐格(W. Herzog)的《死亡的故事,生命的故事》(A Tale of Death, A Tale of Life),以及现代犯罪法律电视节目。特定的内容由特定的“真实犯罪”类型统一起来。