It Is Okay for Artists to Make Money…No, Really, It’s Okay

R. Austin, Lee Devin
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引用次数: 4

Abstract

In this paper, we examine the apparent conflict between artistic and commercial objectives within creative companies, taking as our point of departure a particularly energetic debate during a symposium at the 2007 Academy of Management meetings. We surface the assumptions that underlie such debates, compare them with findings from our research on creative industries, and identify three “fallacies” that sometimes enter into discussions of art in relation to money. This, in turn, leads us to propose a framework to support more productive discussion and to describe a direction for management research that might better integrate art and business practices. We conclude that despite an inclination to take offense that often attends the close juxtaposition of art and commerce, which was very much in evidence at that AoM symposium in Philadelphia, the interests of art, artists, and business can be best served if more commerce enters into the world of art, not less.
艺术家赚钱没关系…不,真的,没关系
在本文中,我们考察了创意公司内部艺术和商业目标之间的明显冲突,并以2007年管理学会会议上一场特别激烈的讨论为出发点。我们提出了这些争论背后的假设,将它们与我们对创意产业的研究结果进行比较,并确定了有时会进入艺术与金钱关系讨论的三个“谬论”。这反过来又引导我们提出一个框架,以支持更富有成效的讨论,并描述一个可能更好地整合艺术和商业实践的管理研究方向。我们的结论是,尽管在艺术和商业的紧密结合中经常出现冒犯的倾向,这在费城的AoM研讨会上非常明显,如果更多的商业进入艺术世界,艺术、艺术家和商业的利益将得到最好的服务,而不是减少。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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