Blackness in the Post-2011 Mediascape

E. L. Carter
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Abstract

This chapter expands on the structural analyses of earlier chapters by emphasizing the interrelatedness of developments occurring within the post-2011 mediascape and a broader theme: blackness in two contemporary Brazilian serial comedies: Mister Brau (Mr. Brown) and O Grande Gonzalez (The Great Gonzalez). The analysis of the two series’ distinct portrayals of blackness embodies an argument in favor of studies of representation that include fictional works of television outside of or in addition to TV Globo’s telenovelas. More specifically, it is a call for scholars to consider the varied matters of representation within the context of the structural shifts occurring during the post-2011 mediascape, accounting for how such shifts have played (or perhaps not) a central role in expanding production beyond the hegemonic confines of TV Globo’s vertical production model, resulting in the emergence of new voices and the possibility for more critical contemplations of race and other pressing social issues.
2011年后媒体景观中的黑人
本章对前几章的结构分析进行了扩展,强调了2011年后媒体环境中发生的事态发展的相互关系,以及一个更广泛的主题:两部当代巴西连环喜剧中的黑人:布劳先生(布朗先生)和奥格兰德·冈萨雷斯(伟大的冈萨雷斯)。对这两部剧对黑人的不同描绘的分析体现了一种观点,即支持对代表性的研究,包括电视连续剧之外的虚构作品,或者除了环球电视台的电视剧之外。更具体地说,它呼吁学者们在2011年后媒体环境中发生的结构转变的背景下考虑各种表现问题,说明这种转变如何在扩大生产方面发挥(或可能没有)核心作用,超越了环球电视台垂直生产模式的霸权范围,导致新声音的出现,并有可能对种族和其他紧迫的社会问题进行更批判性的思考。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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