Calligraphy Business In Islamic Economic Review At An-Nida Calligraphy House Medan North Sumatra

Sartika Alpianti Manurung, Almita Wiguna
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Abstract

Islamic calligraphy art is one of the works of art that has its own beauty characteristics so that it has a high selling value. At this time, many institutions or special places are deliberately built to foster a person's talent interest in calligraphy art and become a center for selling calligraphy tools or even calligraphy artwork itself, one of which is the An-Nida Calligraphy House. This research aims to find out how the development of the calligraphy business according to economics at An-Nida Calligraphy House since its inception until now. The method used in this research is a qualitative method, through literature review and interviews as data collection techniques, while the data analysis technique used is descriptive statistics. The results of this study indicate that the development of the calligraphy business at the Calligraphy House, which was built in 2017, has increased every year, and the variety of goods traded is increasingly diverse. This is evidenced by the increase in consumers and the progress of the construction of the Calligraphy House from year to year.
伊斯兰经济评论中的书法业务,在北苏门答腊岛棉兰的安奈达书法馆
伊斯兰书法艺术是一种具有自身审美特征的艺术作品,因此具有很高的销售价值。此时,许多机构或特殊场所被刻意建立,以培养一个人对书法艺术的天赋兴趣,成为销售书法工具甚至书法艺术品本身的中心,其中之一就是安奈达书法馆。本研究旨在了解安尼达书屋自成立至今,以经济学为基础的书法业务发展情况。本研究使用的方法是定性方法,通过文献综述和访谈作为数据收集技术,而使用的数据分析技术是描述性统计。本研究结果表明,2017年建成的书法馆书法业务的发展逐年增加,交易的商品种类也日益多样化。消费者的增加和书法馆建设的逐年进步证明了这一点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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