Visual perception: digital imagination and sensitive experience of the social world

F. Rocca
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引用次数: 3

Abstract

With every historical epoch comes a different way of thinking, a different way of seeing, capable of identifying the fundamental elements of a change of paradigm. Any discussion of ‘paradigm’ in relation to the contemporary world must include the development of the digital realm and its technological apparatus, which transform vision and influence how we perceive the world. Central to this development has been the emergence of myriad new forms of communication and a culture of sharing life, which characterize the process of seeing.Technology opens up new horizons in terms of how we expose our presence in the world: via digital photography and video, in every instant of everyday life we are in a position to expose our social world, the fragments of our existence. This cultural effect is not merely a consequence of ways of structuring existence, but also constitutes a change in the way we think about our relationship with the world. Every cultural and technical change brings together a variation of thought and perception, and this represents a basis on which to understand and interrogate the continual mutation of our social imaginary and the process of building, producing and transforming the Real.
视觉感知:对社会世界的数字想象和敏感体验
每个历史时期都有不同的思考方式,不同的观察方式,能够识别范式变化的基本要素。任何与当代世界有关的“范式”讨论都必须包括数字领域及其技术设备的发展,它们改变了我们的视野,影响了我们对世界的看法。这一发展的核心是出现了无数新的交流形式和分享生活的文化,这是观看过程的特征。科技为我们展示自己在世界上的存在方式开辟了新的视野:通过数码摄影和视频,在日常生活的每一刻,我们都能展示我们的社会世界,我们存在的碎片。这种文化影响不仅是构建存在方式的结果,而且还构成了我们思考与世界关系方式的变化。每一次文化和技术的变革都汇集了思想和感知的变化,这代表了理解和质疑我们社会想象的持续突变以及构建、生产和改造现实的过程的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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