Mary as Cultural Symbol in the Nineteenth Century

C. Herringer
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引用次数: 1

Abstract

In the nineteenth century the Virgin Mary, traditionally the most important woman in the Roman Catholic Church, also became a dynamic negative cultural symbol for Protestants, an ambivalent figure for Anglicans, and an empowering symbol for some feminists. Her role as cultural symbol was the result of the confluence of religious and secular factors, including increased Marian devotion in the Roman Catholic Church, a growing Roman Catholic population in Protestant-dominated countries, the development of Anglo-Catholicism, and the ascendancy of the feminine ideal. Paying particular attention to recent and classic treatments of nineteenth-century Marian devotion in its cultural context, this chapter shows that understanding the competing views of the Virgin Mary is essential to understanding the intersection of religion and secular culture, particularly in relation to gender.
玛丽在19世纪的文化象征
在19世纪,圣母玛利亚,传统上是罗马天主教会最重要的女性,对新教徒来说也成为一个充满活力的负面文化象征,对英国国教来说是一个矛盾的人物,对一些女权主义者来说是一个赋权的象征。她作为文化象征的角色是宗教和世俗因素共同作用的结果,包括罗马天主教会中玛丽安的奉献增加,新教占主导地位的国家中罗马天主教人口的增长,盎格鲁天主教的发展,以及女性理想的优势。本章特别关注19世纪玛丽安奉献在其文化背景下的最新和经典处理,表明理解圣母玛利亚的竞争观点对于理解宗教和世俗文化的交集至关重要,特别是在性别方面。
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