Alexander Shonert’s Contributions to Violin Methodology

Gabriela Kubátová
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Abstract

This article introduces violinist and pedagogue Alexander Shonert and his principles of violin teaching methods, which touch on the correct way of practicing the violin, a specific type of firm staccato, and stage fright. This research and description of Shonert’s teaching and practice method are inspired by a workshop that Alexander Shonert held at Základní umělecká škola Ilji Hurníka [Ilja Hurník Elementary Art School] in Prague, Czech Republic on December 7, 2018, and based on interviews that the author of this article conducted with him between 2018–2021. The structured interviews were conducted in Czech (translated into English by the author) in person and by electronic correspondence in the case of clarification of details. This study also follows up on two published author’s articles, “Alexander Shonert – Violinist and Pedagogue” and “Firm Staccato Is Born in the Mind, Not in the Hands.” Shonert’s methodo- logical principles are situated in the context of other prominent violinists from the nineteenth century until now.
亚历山大·肖纳特对小提琴方法论的贡献
本文介绍了小提琴家、教育家亚历山大·肖纳特及其小提琴教学原则,涉及正确的小提琴练习方法、特定类型的坚定断奏和怯场。本文对Shonert的教学和实践方法的研究和描述,灵感来自于Alexander Shonert于2018年12月7日在捷克共和国布拉格Základní um leck škola Ilji Hurníka [Ilja Hurník小学艺术学校]举办的研讨会,并基于本文作者在2018 - 2021年间对他的采访。面谈以捷克语进行(由作者翻译成英语),在澄清细节的情况下通过电子通信进行。这项研究还跟进了两篇已发表的文章,“亚历山大·肖纳特——小提琴家和教育家”和“坚定的断奏诞生于心灵,而不是手”。从19世纪至今,肖特的方法论和逻辑原则与其他杰出的小提琴家相一致。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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