Народное прикладное искусство в экспозиции Музея традиционной культуры имени Зая-пандиты Калмыцкого научного центра РАН

S. Batyreva
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引用次数: 11

Abstract

The museum collections contain the material evidence of the past represented in the objects of traditional nomad culture. The documentary significance of the archive materials that represent nomad way of living allows us to give characteristics of the existence and content of the artistic craftwork of the Mongol-origin nations. Nowadays, when most of the traditional Kalmyk handicrafts have been lost due to the transition from the nomad way of living to sedentary life, it is relevant to use the museum exhibits for their reconstruction. This will allow to fill the gaps in the Kalmyk Folk Decorative Arts research the sample of which include the household items made in the traditional techniques of artistic processing of textile, felt and leather, wood and metal. The experience of collecting, research and reconstruction of the nation’s cultural heritage is represented in the permanent exhibit of the Zaya-Pandita Museum of Kalmyk Traditional Culture of the Kalmyk Scientific Center of the RAS.
传统文化博物馆zaya - pandit卡尔梅茨科学中心展览的民间艺术
博物馆的藏品包含了过去的物证,代表了传统的游牧文化。这些代表游牧民族生活方式的档案材料所具有的文献意义,使我们能够认识到蒙古族民族艺术工艺的存在特征和内涵。如今,当大多数传统的卡尔梅克手工艺品由于从游牧生活方式向定居生活的转变而丢失时,使用博物馆展品来重建它们是相关的。这将填补卡尔梅克民间装饰艺术研究的空白,该研究的样本包括用纺织品、毛毡、皮革、木材和金属的传统艺术加工技术制作的家居用品。收集、研究和重建国家文化遗产的经验在RAS的卡尔梅克科学中心的卡尔梅克传统文化博物馆的常设展览中得到了体现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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