Narrative Possibilities through Bodyness: Aesthetic of Dance Music and Affective Turn

Haw Suk Song
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Abstract

If the criteria for judging good and not good music correspond to the musical content or meaning, much popular music would not escape the judgment of yet being qualitatively low, and its representative genre is dance music. Compared with movies and dramas, pop music lacks clarity of reproduction and narrative structure. Dance music is more multi-layered and ambiguous than other pop music genres as it contains music, lyrics, and body movements as basic genre characteristics. To discuss the aesthetic aspects of dance music, focusing on the theoretical significance raised from the theory of affect, this study examines dance music (especially Korean dance music since the 2000s), the area farthest from meaning and narrative, as a process of acquiring “non-narrative narrative” based on physical sensibility and popularity.
身体叙事的可能性:舞蹈音乐的审美与情感转向
如果评判音乐好坏的标准与音乐的内容或意义相对应,那么许多流行音乐也难逃质量低下的判断,其代表类型是舞曲。与影视剧相比,流行音乐缺乏清晰的再现和叙事结构。舞蹈音乐比其他流行音乐类型更具有层叠性和模糊性,因为它包含了音乐、歌词和肢体动作作为基本类型特征。为了讨论舞蹈音乐的美学方面,重点关注情感理论提出的理论意义,本研究将舞蹈音乐(尤其是2000年代以来的韩国舞蹈音乐)作为远离意义和叙事的领域,作为一种基于身体感性和受欢迎程度的“非叙事叙事”的获取过程。
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