“I’M NOT AFRAID OF BEING CALLED A LOSER”: THE ISSUE OF AGENCY IN FINN’S IDENTITY CONSTRUCTION IN THE TELEVISION SERIES GLEE

L. Silva
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Abstract

This article analyzes the television series Glee and discusses the ways in which Finn’s identity construction — and his irresolution — can be read counter-hegemonically as fostering political agency. In order to do so, I discuss the concepts of identity and agency and notions such as social location and identification while conducting a textual analysis of specific scenes that pertain to the first season of the series. The analysis highlights that the character’s experience with the Glee club seems to be important for the constant re-construction of his identity. Such reconstruction is always part of a double movement: Finn, as a postmodern subject, is overtly contradictory. While his identity construction can be considered transgressive, at times his actions are in fact very conservative. Finn’s identity construction seems to demonstrate the ways in which Glee can be considered an example of postmodern contingency while being inserted simultaneously within restraining hegemonic discourse.
“我不怕被称为失败者”:电视剧《欢乐合唱团》中芬恩身份建构中的代理问题
本文分析了电视剧《欢乐合唱团》,并讨论了芬恩的身份建构及其优柔寡断可以被反霸权地解读为培育政治代理的方式。为了做到这一点,我讨论了身份和代理的概念,以及社会位置和身份等概念,同时对该系列第一季的特定场景进行了文本分析。分析强调,这个角色在合唱团的经历似乎对他的身份不断重建很重要。这种重建总是双重运动的一部分:芬恩作为一个后现代的主体,是明显矛盾的。虽然他的身份建构可以被认为是越界的,但有时他的行为实际上是非常保守的。芬恩的身份建构似乎表明,《欢乐合唱团》可以被视为后现代偶然性的一个例子,同时又被插入到抑制霸权话语中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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