Fashion parades – for men only: Multiple tailor Hepworths, designer Hardy Amies and the marketing of men’s suits in Britain in the 1960s

D. Sprecher
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引用次数: 1

Abstract

This article will examine the use of male fashion shows as a marketing and promotional tool by British high street multiple tailor Hepworths in the 1960s as part of their design collaboration with women’s fashion designer and couturier Hardy Amies. The partnership successfully brought the concept of the branded designer label to British men for the first time and was a major initiative for the menswear industry as it highlighted and consolidated a design ethos which strongly emphasized men’s fashion. Drawing on a wide range of primary source material including oral history interviews with two male models who worked for Hepworths and Amies; object studies of surviving garments; and film and images of the shows, this article will explore the significant and innovative approach to selling men’s fashionable tailoring taken by this mid-market menswear company. It also provides a broader understanding of the history of men’s fashion during this period, a narrative which is dominated by the concept of the peacock revolution, by demonstrating Hepworths’ important contribution to everyday men’s fashion in post-Second World War Britain.
时尚大游行——仅限男士:20世纪60年代,英国多名裁缝赫普沃斯、设计师哈迪·艾米斯以及男士西装的市场营销
这篇文章将研究20世纪60年代英国高街多家裁缝赫普沃斯(hepworth)与女性时装设计师和女装设计师哈迪·艾米斯(Hardy Amies)合作设计的男装秀作为营销和促销工具的使用。这一合作伙伴关系首次成功地将品牌设计师标签的概念带给了英国男性,这是男装行业的一个重大举措,因为它突出并巩固了一种强烈强调男性时尚的设计精神。借鉴了广泛的原始资料,包括对赫普沃斯和艾米斯工作过的两位男模特的口述历史采访;幸存服装的实物研究;本文将探讨这家中端市场男装公司在销售男装时尚方面所采取的重要和创新的方法。通过展示赫普沃斯对二战后英国日常男性时尚的重要贡献,也为这一时期男性时尚的历史提供了一个更广泛的理解,这是一个以孔雀革命概念为主导的叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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