Introduction Bureaucratic Vistas

Nathan Wolff
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Abstract

This chapter sheds new light on the US Gilded Age (roughly the final three decades of the nineteenth century), revealing it—and its literature—to be a period defined as much by cynicism about corruption as by actual political venality. It sets out three of the book’s overarching interventions: first, calling us to expand our vocabulary of “political emotion” beyond sympathy to a wider range of disagreeable and in-between feelings; second, providing frameworks for analyzing the relation, rather than the opposition, between reason and emotion in political contexts (in particular, via the affective tenor of late-nineteenth-century bureaucratic discourse); third, claiming that we must supplement accounts of nineteenth-century US literature’s utopian moods with a view of those quotidian feelings—so often negative—that define encounters with existing political institutions, as foregrounded by Gilded Age fiction. Authors discussed include Frances Hodgson Burnett, Herman Melville, Mark Twain, and Walt Whitman.
引言:官僚主义远景
这一章揭示了美国镀金时代(大约是19世纪最后三十年)的新视角,揭示了这一时期及其文学是一个以对腐败的玩世不恭和实际政治腐败为特征的时期。它提出了这本书的三个主要干预措施:首先,呼吁我们扩大“政治情感”的词汇量,超越同情,扩大到更广泛的不愉快和介于两者之间的感觉;第二,为分析政治语境中理性与情感之间的关系而非对立提供框架(特别是通过19世纪后期官僚话语的情感基调);第三,声称我们必须用那些日常感受的观点来补充19世纪美国文学的乌托邦情绪,这些日常感受通常是消极的,它们定义了与现有政治制度的接触,就像镀金时代的小说所强调的那样。讨论的作家包括弗朗西丝·霍奇森·伯内特、赫尔曼·梅尔维尔、马克·吐温和沃尔特·惠特曼。
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