Fabric Heals: Analyzing Conceptual Textile Work at a Beirut-Based Art School

Y. Dabbous
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Abstract

Abstract The growing literature about the healing impact of textile work often focuses on process; What happens as fabric is managed and how does this regulate emotions? In this paper, the author adopts a different approach, searching for healing possibilities on the surface of textile pieces made by students at her art studio in Beirut. Using semiotic analysis and emotion theories borrowed from psychology and communication, the author finds that design decisions, from the choice of background to the choice of color and stitch, possess significant healing potentials. This seems true even when the makers live in troubled environments such as the Lebanese capital. The impact of using yarn, hooks and needles in artisanal textile work has been widely evidenced through research. It is time, the author concludes, that the importance of conceptual work, where design thinking is heavily involved, be acknowledged.
织物愈合:分析贝鲁特艺术学校的概念纺织品作品
越来越多的关于纺织作品治疗作用的文献往往集中在过程上;当织物被管理时会发生什么?这是如何调节情绪的?在本文中,作者采用了一种不同的方法,在贝鲁特艺术工作室的学生制作的纺织品表面上寻找治愈的可能性。作者运用符号学分析和从心理学和传播学中借鉴的情感理论,发现设计决策,从背景的选择到颜色和针脚的选择,都具有显著的治愈潜力。即使制作者生活在黎巴嫩首都这样的动荡环境中,这似乎也是正确的。在手工纺织工作中使用纱线、钩子和针的影响已经通过研究得到了广泛的证明。作者的结论是,是时候承认概念工作的重要性了,因为设计思维在概念工作中非常重要。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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