Dusza ludzka stworzona na obraz i podobieństwo Boga. Refleksja na podstawie Kazań 80, 81 oraz 82 z serii Kazań o Pieśni nad Pieśniami świętego Bernarda z Clairvaux

M. Chojnacki
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Abstract

The article presents reflections based mainly on three sermons: 80, 81, 82 from the series Super Cantica by Saint Bernard of Clairvaux, a representative of the so-called monastic theology and the twelfth century Renaissance. The Abbot is intrigued by the problem of sin in the life of the Christian community and the evident tendency to commit sins by baptized faithful, endowed with free will. The soul, created in the image and likeness of God, is subject to the fall of original sin. This issue is addressed in two works: De gratia et libero arbitrio and Sermons 80, 81, and 82 on the Song of Songs. The issues are interpreted differently in these works, although the medieval author pointed out that they were: “different (...), but not opposing”.The main source for the article is the critical edition of the saint’s works: Sancti Bernardi opera omnia, vol. I-VIII, Recensuerunt J. Leclercq, H. Rochais, C.H Talbot, Romae 1957-1977. In the Sermons on the Song of Songs, the thought is expressed that man, after original sin, loses integrity, that is, nobility as simplicity (rectitudo), while greatness (magnitudo) remains. It can be said that the soul retains greatness, that is, among other things, immortality, and its vocation to eternal life with God. The likeness to God is indestructible, but it can be darkened, or covered with a “cloak”. The effect of original sin is a soul that tends to the low and earthly things, but that is constantly looking for something that leads to God. The will becomes the slave of sin. The common thought of the two doctrines is expressed in the greatness of man created in the image of God (or the Word); a greatness that can be in the freedom or ability that man has for God. There is also a similarity (similitudo), which in the first doctrine is destroyed but recover able; in the second doctrine it is darkened by a form of “covering dissimilarity”. Only The Lord, by His grace, leads man on the way back to the Father.
本文主要根据圣伯纳德的《超级Cantica》系列中的80、81、82三篇讲道进行反思,圣伯纳德是所谓的修道院神学和12世纪文艺复兴时期的代表人物。院长是好奇的罪的问题,在基督教社区的生活和明显的倾向,犯下的罪受洗忠实,赋予自由意志。灵魂是按照上帝的形象和样式创造的,它受制于原罪的堕落。这个问题在两部作品中得到了解决:De gratia et libero arbitrio和sermon 80,81, and 82 on the Song of Songs。这些作品对这些问题有不同的解释,尽管中世纪的作者指出它们是:“不同(……),但不是对立的”。文章的主要来源是圣徒作品的评论版:圣贝尔纳迪歌剧omnia,卷1 - 8,recenerunt J. Leclercq, H. Rochais, C.H . Talbot,罗马1957-1977。在《雅歌训词》中,有一种思想是这样表达的:人在原罪之后,失去了正直,也就是说,作为单纯的高贵(rectitudo),而伟大(magnitudo)仍然存在。可以说,灵魂保留了伟大,也就是说,在其他事情中,不朽,以及它与上帝永恒生命的使命。与上帝的相似是坚不可摧的,但它可以变暗,或被“斗篷”覆盖。原罪的影响是灵魂倾向于低级和世俗的事物,但它不断地寻找通向上帝的东西。意志成为罪的奴隶。这两种教义的共同思想表现在按神(或道)的形象所造的人的伟大;这种伟大可以体现在人类为上帝所拥有的自由或能力中。还有一种相似性(similudo),它在第一种学说中被破坏了,但又可以恢复;在第二种学说中,它被一种“掩盖差异”的形式所遮蔽。只有主,借着他的恩典,带领人回到天父那里。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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