An Autobiography of Childhood: Anatoly Kuznetsov’s Babi Yar as Bildungsroman

IF 0.4
M. Balina
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引用次数: 1

Abstract

Abstract This article represents an attempt to read Anatoly Kuznetsov’s Babi Yar: A Document in the Form of a Novel in its complete and uncensored version (published 1970) as a novel of education. Critical interpretation of this text has been dominated by the story of the mass shootings of the Jewish population witnessed by the adolescent Tolya, with the youngster’s own story often relegated to the background. But the analytic framework of the Bildungsroman makes it possible to see how, in addition to serving as a testimonial of the “Holocaust by Bullets,” the book demonstrates the full extent of the deformation of a child under conditions of war and occupation. The theoretical apparatus of the analysis is largely based on research in narratological theory (Shlomith Rimmon-Kenan). Discussion of the structural features of an autobiography of childhood also draws on Kate Douglas’s studies on autobiography, trauma, and memory. As a process of socialization, Bildung in Babi Yar turns into an anti-Bildung of adolescence: Kuznetsov’s novel shows how the experience of war deforms the personality on a variety of perceptual levels—optical, olfactory, haptic, and sonic.
童年自传:阿纳托利·库兹涅佐夫的成长小说《巴比亚》
摘要本文试图将库兹涅佐夫的《巴比亚尔:小说形式的文件》完整版(1970年出版)作为一部教育小说来解读。对这篇文章的批判性解读一直被青少年托利亚目睹的犹太人大规模枪击事件的故事所主导,而这个年轻人自己的故事往往被置于背景之下。但是,《成长小说》的分析框架使我们有可能看到,除了作为“子弹大屠杀”的见证之外,这本书还充分展示了一个孩子在战争和占领条件下的变形。分析的理论工具主要基于叙事学理论(Shlomith Rimmon-Kenan)的研究。对童年自传结构特征的讨论也借鉴了凯特·道格拉斯关于自传、创伤和记忆的研究。作为一个社会化的过程,《巴比雅》中的成长变成了青春期的反成长:库兹涅佐夫的小说展示了战争的经历如何在视觉、嗅觉、触觉和听觉等不同的感知层面上扭曲了人格。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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