Urbanized sociality: The culture of control in the mode of mediatization

O. Filimonova
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Abstract

Introduction. The article is devoted to the study of the phenomenon of the culture of control in conditions of mediatization – an integral part of the modern social world of the city. The specificity of the view on the problem lies in the departure from the functional technicality of positivist research into the field of ontological and social reflection, expanding the analytical range of revealing the meaning. In the multimedia environment of the city, rapid orientation without special selective criteria resulting from expectation, search for certain objects, or intent to act requires a broad rather than a focus strategy of forms and methods of control. Theoretical analysis. A horizon of understanding control as a not completely reduced to the coercive and punitive functions formal process, but a culturally mediated phenomenon is proposed. The procedure for considering attention as an intentional act, or event, as a resource of culture and a source of spiritual work for constituting the meanings of human reality is singled out. In the spiritual and anthropological context, it is shown that attention is not only an orienting reflex, but an internal basis that is not associated with observation strategies in the form of mechanical external perception. The value of attention is determined by its maximally dense expedient concentration, which makes it possible to overcome states of lack of control and absent-mindedness. Conclusion. It has been established that the culture of control is a specific mental device that has the ability to capture the associative adjacency and mutual connection of things which are even distant from each other. Being an effective “screed” of intuitively grasped and reflected forms of meaning, it provides the basis for understanding everything that was personally perceived in its essence and completeness.
都市化社会:媒介化模式下的控制文化
介绍。本文致力于研究媒介化条件下的控制文化现象,媒介化是现代城市社会世界的一个组成部分。这种问题观的特殊性在于脱离了实证主义研究的功能技术性,进入本体论和社会反思领域,拓展了揭示意义的分析范围。在城市的多媒体环境中,由于期望、对特定对象的搜索或行动意图而产生的没有特殊选择标准的快速定位需要一种广泛的而不是集中的形式和控制方法策略。理论分析。将控制理解为一个不完全简化为强制性和惩罚性功能的正式过程,而是一种文化介导的现象。将注意力视为有意的行为或事件,作为文化资源和构成人类现实意义的精神工作的来源的过程被挑选出来。在精神和人类学的背景下,它表明注意不仅是一种定向反射,而且是一种内部基础,与机械外部感知形式的观察策略无关。注意力的价值是由其最大程度的密集的权宜之计集中决定的,这使得它有可能克服缺乏控制和心不在焉的状态。结论。已经确定的是,控制文化是一种特定的心理装置,它有能力捕捉到相互关联的邻接性和相互联系,甚至彼此疏远的事物。作为直观地掌握和反映意义形式的有效“页纸”,它为理解个人在本质和完整性上感知到的一切提供了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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