VARIATIONS OF SCENARIO MODELS PERCEPTION OF ARCHITECTURAL OBJECTS IN PEDESTRIAN SPACES

Abstract

Рroblem statement – the organization of the perception of architectural objects in time as certain scenarios, is one of the key areas that allows you to attach the level of emotional expression of architecture to other arts. The relevance of this scientific field is related to the need to implement parametric approaches in design, in particular to maintain high aesthetic qualities of the urban environment. The analysis of research and publications shows a great interest and a number of directions in the formation of pedestrian spaces, but does not fully reveal the methods of forming the qualities and objects of the architectural environment. The purpose of this publication is to define and substantiate scenario models of pedestrian space organization based on the study of established forms of various arts that unfold over time, as well as on the study of evolution and experience of forming such compositions in urban planning. The novelty of the publication is to reveal the origins of common scenario models of pedestrian space, and the role of components of the architectural environment and architectural objects in creating a multifaceted scenario, and the reasons for combining certain approaches in a real project. Research methods are based on the study of the development of forms and plots in parallel arts (theatrical scenography, music, cinema), where such models are more formalized and used structured in time, which allows by analogy to find physical parameters of architectural compositions and regulate the variability of visual іncentives. The result of the study is the systematization of the main models of pedestrian spaces scenario organization (medieval, classical, based on the natural environment and the intervention of script compositions on environmental design, citations surrounded by high-rise buildings fragments of the historic city), as well as and further reproduction of these prototypes in modern construction. These models are used in combination, because the architect takes into account all the techniques allowed by the current organizational structure of the design. The identified methodological approaches and models were used in the author’s project practice, as well as in the course and diploma design of FABD NAU. In the further research the author intends to systematize digital parameters of such modeling with use of the resulted analogues.