The Lexical Domains of Ugliness and Aesthetic Horror in the Old English Formulaic Style

F. J. Minaya Gómez
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Abstract

Even though as of late there has been a renewed interest in the aesthetic ideals in early Medieval England, the conceptualisation and experience of ugliness in Old English sources has been largely neglected. Drawing on the recent research carried out on aesthetic emotions and folk aesthetics, and despite the lack of academic materials on artistic and literary canons of ugliness, the purpose of this paper is to look into the terms that rendered the experience of ugliness and its closest emotional response, aesthetic horror, in order to examine how these are employed in poetic texts. The findings from this study evidence a lack of use of terms for negative aesthetic experience in Old English poetry that suggests that the lexical domain of ugliness and related emotional responses were not fundamental constituents of the Old English formulaic style, while the lexical domain of beauty and its responses were. Additionally, this study highlights the fundamentally moral character of the idea of ugliness.
古英语公式化文体中丑与审美恐怖的词汇域
尽管在中世纪早期的英格兰,人们对审美理想重新产生了兴趣,但在古英语来源中,丑的概念化和经验在很大程度上被忽视了。借鉴最近对审美情感和民间美学的研究,尽管缺乏关于丑的艺术和文学规范的学术资料,但本文的目的是研究呈现丑的体验及其最接近的情感反应审美恐怖的术语,以研究这些术语如何在诗歌文本中使用。本研究的结果表明,古英语诗歌中缺乏表达消极审美体验的词汇,这表明丑的词汇领域和相关的情感反应不是古英语公式化风格的基本组成部分,而美的词汇领域和它的反应是。此外,这项研究强调了丑陋概念的基本道德特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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