{"title":"Emergence of Dalit Art entrepreneurs: Exploring anti-caste songs as the new-creative industry in North India","authors":"K. Kalyani","doi":"10.1080/26883597.2022.2045087","DOIUrl":null,"url":null,"abstract":"ABSTRACT Music is the significant factor in the rise of anticaste consciousness and creating a narrative of resistance among Dalit communities. The practice of musical genres like Bhimgeet has witnessed a rise in recent times, claiming dignity and social justice for historically oppressed Dalit communities. The production of anticaste songs has also created a new class of Dalit-Art entrepreneurs who are engaged in the new-creative industry of producing anticaste songs. Through the multiple entrepreneurial examples and in-depth interviews, the paper has discussed what are the different kinds of production houses, music industry that has emerged around anti-caste consciousness in regions of North India. Furthermore, the paper has explored the culture-economy of anticaste songs and how they are gaining popularity in the public memory. The paper conceptualizes Dalit-Art entrepreneurs as part of the new Dalit Middle class and how they are negotiating with caste identities by maintaining solidarity with community members.","PeriodicalId":208905,"journal":{"name":"Local Development & Society","volume":"516 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Local Development & Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/26883597.2022.2045087","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Music is the significant factor in the rise of anticaste consciousness and creating a narrative of resistance among Dalit communities. The practice of musical genres like Bhimgeet has witnessed a rise in recent times, claiming dignity and social justice for historically oppressed Dalit communities. The production of anticaste songs has also created a new class of Dalit-Art entrepreneurs who are engaged in the new-creative industry of producing anticaste songs. Through the multiple entrepreneurial examples and in-depth interviews, the paper has discussed what are the different kinds of production houses, music industry that has emerged around anti-caste consciousness in regions of North India. Furthermore, the paper has explored the culture-economy of anticaste songs and how they are gaining popularity in the public memory. The paper conceptualizes Dalit-Art entrepreneurs as part of the new Dalit Middle class and how they are negotiating with caste identities by maintaining solidarity with community members.