DECIPHERING THE BYBLOS “PSEUDOHIEROGLYPHIC” SCRIPT

Boris F. Hlebec
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Abstract

Since the Byblos “pseudohieroglyphic” signs are graphically almost identical with the Vinča (Danube/Old European) pre-script (which originally appeared in the central Balkans, then spread to the Danube valley, southern Hungary, Macedonia, Transylvania, and northern Greece, and has also been recorded in distant countries such as the Ukraine, Spain and Portugal), the author applies his knowledge in deciphering this pre-script in order to read more than fifty lines of the Byblos signs. Thus, at least some of the Byblos “pseudohieroglyphs” appear to constitute a restricted system of mythographic “eidograms” (halfway between pictograms and ideograms) used for the invocation of goddesses throughout the Old World, rather than a syllabary, as erroneously believed by George Mendenhall, Brian Colless, Jan Best, Fred Woudhuizen and others, or an alphabet (Malachi Martin).
破译byblos“伪象形文字”的文字
由于比布罗斯的“伪象形文字”符号在图形上几乎与vin(多瑙河/古欧洲)前文字(最初出现在巴尔干半岛中部,然后传播到多瑙河流域、匈牙利南部、马其顿、特兰西瓦尼亚和希腊北部,并且在乌克兰、西班牙和葡萄牙等遥远的国家也有记录)相同,作者运用他的知识来破译这个前文字,以便阅读比布罗斯符号的五十多行。因此,至少有一些比布鲁斯的“伪象形文字”似乎构成了一种有限的神话“象形文字”系统(介于象形文字和表意文字之间),用于在整个旧世界召唤女神,而不是像乔治·门登霍尔、布莱恩·科利斯、简·贝斯特、弗雷德·伍德惠曾等人错误地认为的那样,是一个音节,或者是一个字母(玛拉基·马丁)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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