Liminality in Advertising from the Mad Men Era

Barbara A. Olsen
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引用次数: 3

Abstract

This article reflects an evolving anthropologist’s marketing career during the 1970s, before anthropology was truly welcomed as contributor to business strategy. I worked on several accounts mentored by a brilliant but conflicted creative director-guru-boss, an experience resulting in this reflexive advertising narrative punctuated by periods of liminality. I used my agency archives from the 1970s and field notes (or advertising log) as my data set to reflect this period. My field journey traversed the Mad Men era, immortalized in the AMC TV series about the 1960s and beyond, where creative directors freely crossed boundaries of sex, class and gender stereotypes. I discuss several advertising campaigns in which I was involved. The broader narrative reveals an uncomfortable divide between cultural empathy and advertising practice. While creatively stimulating, I describe the conflict in a marketing career that challenged ethical sensitivities.
《广告狂人》时代广告中的阈限性
这篇文章反映了20世纪70年代一位不断发展的人类学家的营销生涯,当时人类学还没有真正成为商业战略的贡献者。我曾在一位才华横溢但矛盾的创意总监兼老板的指导下做过几个客户,这段经历导致了这种反身性的广告叙事,其间不时出现一些限制。我使用了20世纪70年代的代理档案和实地记录(或广告日志)作为反映这一时期的数据集。我的实地考察穿越了《广告狂人》(Mad Men)时代,这个时代因AMC电视台(AMC)讲述20世纪60年代及以后的故事而永垂不朽,在这个时代,创意总监们自由地跨越了性别、阶级和性别刻板印象的界限。我讨论了我参与的几个广告活动。更广泛的叙述揭示了文化同理心和广告实践之间令人不安的鸿沟。在激发创造性的同时,我描述了挑战道德敏感性的营销职业中的冲突。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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