THE BIBLICAL STORY OF THE CREATION OF EARTH AND THE FALL OF MAN IN MUSIC – A FEW WORKS, MANY OBSERVATIONS

Agnieszka Draus
{"title":"THE BIBLICAL STORY OF THE CREATION OF EARTH AND THE FALL OF MAN IN MUSIC – A FEW WORKS, MANY OBSERVATIONS","authors":"Agnieszka Draus","doi":"10.13165/SMS-17-9-2-09","DOIUrl":null,"url":null,"abstract":"The biblical story of the creation of earth and Man, the fates of Adam and Eve – their love, the fall, the expulsion from Eden and its consequences – throughout many centuries inspired philosophers, writers, painters as well as composers who in their writings and works of art presented various interpretations of the subject. One of the undoubtedly most famous illustrations of the history of Man, described in the Book of Genesis fundamental for the Judeo-Christian tradition, was created by an English poet, John Milton in his epic poem, Paradise Lost. The central theme constitutes the sin of the first humans. However, apart from the biblical story of Adam and Eve, the poem also presents events that took place before and after the first man appeared, such as the description of the creation of the world and its visions after the fall of mankind – the crime of Cain, the plague, war and the deluge, the story of Abraham as well as the life, death and resurrection of Jesus Christ. The multiplicity of plots and the beautiful language of Puritan poetry inspired many composers to supplement its semantic level with an expression of suggestive music. The proposed text shall be a short overview of the biblical story of Man from the perspective of the English writer who in turn inspired more composers – from John Christopher Smith, Galliard, Haydn and Rubinstein to Krzysztof Penderecki – also in the context the re-interpretation of the subject by Kagel’s, Stockhausen’s and Nowak’s compositions.","PeriodicalId":256611,"journal":{"name":"Societal Studies","volume":"685 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Societal Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13165/SMS-17-9-2-09","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

Abstract

The biblical story of the creation of earth and Man, the fates of Adam and Eve – their love, the fall, the expulsion from Eden and its consequences – throughout many centuries inspired philosophers, writers, painters as well as composers who in their writings and works of art presented various interpretations of the subject. One of the undoubtedly most famous illustrations of the history of Man, described in the Book of Genesis fundamental for the Judeo-Christian tradition, was created by an English poet, John Milton in his epic poem, Paradise Lost. The central theme constitutes the sin of the first humans. However, apart from the biblical story of Adam and Eve, the poem also presents events that took place before and after the first man appeared, such as the description of the creation of the world and its visions after the fall of mankind – the crime of Cain, the plague, war and the deluge, the story of Abraham as well as the life, death and resurrection of Jesus Christ. The multiplicity of plots and the beautiful language of Puritan poetry inspired many composers to supplement its semantic level with an expression of suggestive music. The proposed text shall be a short overview of the biblical story of Man from the perspective of the English writer who in turn inspired more composers – from John Christopher Smith, Galliard, Haydn and Rubinstein to Krzysztof Penderecki – also in the context the re-interpretation of the subject by Kagel’s, Stockhausen’s and Nowak’s compositions.
在音乐中创造地球和人类堕落的圣经故事-一些作品,许多观察
圣经中关于创造地球和人类的故事,亚当和夏娃的命运——他们的爱情、堕落、被逐出伊甸园及其后果——在许多世纪中启发了哲学家、作家、画家和作曲家,他们在自己的作品和艺术作品中对这个主题提出了各种各样的解释。毫无疑问,人类历史上最著名的例证之一是由英国诗人约翰·弥尔顿在他的史诗《失乐园》中创作的,《创世纪》是犹太教和基督教传统的基础。中心主题是第一批人类的罪恶。然而,除了亚当和夏娃的圣经故事,这首诗也呈现了发生在第一个人出现之前和之后的事件,比如描述了世界的创造和人类堕落后的景象——该隐的罪行、瘟疫、战争和洪水,亚伯拉罕的故事以及耶稣基督的生、死和复活。清教徒诗歌的情节多样性和优美的语言激发了许多作曲家用暗示音乐的表达来补充其语义水平。拟议的文本将从英国作家的角度对圣经中的人类故事进行简要概述,他反过来又启发了更多的作曲家-从约翰克里斯托弗史密斯,加利亚德,海顿和鲁宾斯坦到克日什托夫潘德列茨基-也在凯格尔,斯托克豪森和诺瓦克的作品中重新诠释了这个主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信