IN SEARCH OF YOUR OWN SPACE: THE IMAGE OF THE HOUSE IN THE NOVEL BY NATALIA HURNYTSKA “COFFEE MELODY IN CARDAMOM TONE”

Myroslava Krupka
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Abstract

The article focuses on the study of the image of the house in the novel by Natalia Hurnytska “Coffee Melody in Cardamom Tone”. The central theme of taboo love acts as a catalyst for the work's spatial content, and the house's motive becomes a tool for analyzing the inner world of the main heroine. The movement of the character illustrates her worldview transformation, while the mode of housing serves as a reflection of the nature of the owners. In the novel, the heroine is constantly in motion from one residence to another, each of which has distinct socio-psychological markers. The childhood home appears in retrospect as a carefree happy world. Uncle's house in Zhovkva takes on the function of family space only nominally, so the heroine symbolically leaves in search of her own home. Uncle Adam's home takes on the semantics of transcending social and moral taboos. Adam's apartment in Krakivska Str. is depicted as a transit place. Aunt Zosia's house is a hostile world that dictates the rules and truths of others. Mrs. Beata’s home is associated with a territory of stability. The house on Kastelivka appears through an erotic code. The house of Theresa is perceived as a rigidly regulated space. The apartment at Krakivska Str. is seen as a home of your own, protected from external threats. Adam's house is the main spatial element of the novel and functions in several emotional and meaningful manifestations: unjustified expectations, danger, shame, threat, protection, family comfort, and wasteland. The constant change of places of residence reflects the woman's attempt to find her own space.
寻找自己的空间:纳塔莉亚·胡尼茨卡小说《豆蔻调的咖啡旋律》中的房子形象
本文主要研究纳塔莉亚·胡尼茨卡的小说《豆蔻调中的咖啡旋律》中的房屋形象。禁忌之爱的中心主题成为作品空间内容的催化剂,房子的动机成为分析女主角内心世界的工具。人物的运动说明了她世界观的转变,而房屋的模式则反映了业主的本性。在小说中,女主人公不断地从一个住所搬到另一个住所,每一个住所都有不同的社会心理标志。回想起来,童年的家是一个无忧无虑的快乐世界。舅舅在卓夫克娃的房子只是名义上承担了家庭空间的功能,所以女主人公象征性地离开去寻找自己的家。亚当叔叔的家具有超越社会和道德禁忌的语义。亚当在克拉基夫斯卡大街的公寓被描绘成一个中转处。佐西亚姨妈的家是一个充满敌意的世界,它支配着别人的规则和真理。贝娅塔夫人的家与一片稳定的领土联系在一起。卡斯特利夫卡的房子通过色情代码出现。特蕾莎的房子被认为是一个严格管制的空间。克拉基夫斯卡街(Krakivska street)的公寓就像你自己的家一样,不受外部威胁。亚当的房子是小说的主要空间元素,并在几个情感和有意义的表现中发挥作用:不合理的期望、危险、羞耻、威胁、保护、家庭舒适和荒地。居住地的不断变化反映了这个女人试图寻找自己的空间。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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