Cervantes y la escritura de senectute (en torno al Viaje del parnaso)

Pedro Ruiz Pérez
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Abstract

This article applies the critical concept of de senectute writing, coined by Rozas, to Lope’s work, in the analysis of Viaje del Parnaso as the axis of a cycle and an authorial posture. It starts from the textual references to the old age in this autobiographical fiction and its creative environment. These are related to a sense of melancholy, which also connects the Viaje character with the attitude of the author. This attitude manifests itself in the revision of his work and life; a revision through which Cervantes contemplates the literary field, and sorts the narrative movement of the text. The round trip reveals his intent to recover a lost splendour, which materialises on the lyrical level in Naples, and is evoked, in the epic, with Lepanto, both key moments in Cervantes’s biography. Following the features pointed out by Rozas, this study shows that those features are present in the Cervantine cycle before they make their appearance in Lope.
塞万提斯和塞内克图特的写作(围绕帕纳索斯之旅)
本文将Rozas创造的批判性写作概念应用于Lope的作品,分析Viaje del Parnaso作为循环和作者姿态的轴线。从这部自传体小说对老年的文本指称及其创作环境入手。这些都与一种忧郁感有关,这也将Viaje这个角色与作者的态度联系在一起。这种态度体现在他对工作和生活的修正上;这是塞万提斯思考文学领域的一个修订,并整理了文本的叙事运动。这次往返表明了他想要恢复失去的辉煌的意图,这在那不勒斯的抒情层面上得到了体现,在史诗中被唤起,在勒班陀,这两个都是塞万提斯传记中的关键时刻。根据Rozas指出的特征,这项研究表明,这些特征在Lope出现之前就已经存在于塞万提斯的循环中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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