Sentimental Novels and Anti-Sentimental Heroines: Womanhood Redefined in Late Eighteenth-Century British Novels

Oak Joo Yap
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Abstract

Protagonists in the eighteenth-century British sentimental novel persevere in the face of extreme misery to remain chaste or to uphold their moral principles as dictated by convention. These characters excessive sentiments were viewed as highly desirable even by many men. Yet at the same time, there was considerable resistance against sentimental novels as they were increasingly denounced for encouraging women to indulge in “overstretched sensibility.” Highlighting the unjust treatment of women rather than their virtues in enduring it, novels with an anti-sentimental stance present independent heroines who question traditional female gender norms or rebel against authority in the spirit of female freedom. This paper examines how the eighteenth-century British sentimental and anti-sentimental novels reflected societal views of women in an era in which women began to resist patriarchal restrictions. It demonstrates the extent to which women and attitudes towards women evolved, and how the notions of femininity were redefined during the waning years of the eighteenth century.
感伤小说与反感伤女主人公:18世纪晚期英国小说中重新定义的女性
18世纪英国感伤小说中的主人公在极度痛苦中坚持保持贞洁或坚持他们的道德原则。甚至在许多男人看来,这些过度情感的角色都是非常可取的。然而,与此同时,感伤小说也遭到了相当大的抵制,因为它们越来越多地被谴责为鼓励女性沉溺于“过度的感性”。反情感的小说突出了女性所受的不公正待遇,而不是她们忍受这种待遇的美德,呈现了质疑传统女性性别规范或以女性自由精神反抗权威的独立女主人公。本文考察了十八世纪英国的感伤小说和反感伤小说是如何反映女性开始反抗父权限制的社会观念的。它展示了女性和对女性的态度的演变程度,以及女性气质的概念是如何在18世纪的衰落岁月中被重新定义的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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