Diaspora and Identity Construction: Memory Writing in Voyage in the Dark

Yinghe Niu
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Abstract

Memory is the reflection of real-life situation and can present a sense of self and identity, which has always been an unavoidable element in the writings of diasporic writers. Taking the memory writing in Jane Rhys’ Voyage in the Dark as the entry point, this paper attempts to interpret the memory writings that appear in Voyage in the Dark by combining with cultural memory, landscape memory, and identity theory. By writing about the heroine Anna Morgan’s memories about the West Indies, Rhys analyzes how Anna tries to pursue her self-identity and the awakeness of herself. By walking through the two scenes and cultures and living in the gap between the two cultures, Anna tries to establish her identity and pursue a sense of belongings, looking for a spiritual homeland. Rhys uses modernist writing skills such as stream of consciousness and multiple spatial juxtaposition to make a memory writing in her novel, expressing the subversion of white Creole women to colonial discourse and the identification and construction of self-identity.
散居与身份建构:《黑暗航行》中的记忆写作
记忆是对现实生活情境的反映,能够呈现出一种自我意识和身份认同,这一直是流散作家作品中不可避免的元素。本文以简·里斯《黑暗之旅》中的记忆写作为切入点,试图结合文化记忆、景观记忆和身份理论来解读《黑暗之旅》中出现的记忆写作。通过描写女主人公安娜·摩根对西印度群岛的回忆,里斯分析了安娜是如何追求自我认同和自我觉醒的。安娜穿梭于两种场景和文化之间,生活在两种文化的缝隙中,试图确立自己的身份,追求一种归属感,寻找精神家园。里斯在小说中运用意识流和多重空间并置等现代主义写作技巧,进行记忆写作,表达了白人克里奥尔女性对殖民话语的颠覆和自我认同的认同与建构。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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