Partıcıpant Vıewer and Work Analysıs In Ceramıc Art

Abstract

The artist, the work of art and the audience are the most basic elements of artistic production. The dynamic of the always creative artist, the static work of art and the spectator has re-emerged as a passive artist, a work of art that can move, an active and participatory viewer, with the influence of the avant-garde movements of the 20th century. At the same time, the production materials and display styles used were questioned again and went beyond the usual values. Depending on this impulse to act with a passion for innovation, the phenomenon of participatory audience first started with Futurism's idea of active theater. Afterwards, it developed with movements such as dadaism, fluxus, conceptual art, kinetic art, op art, GRAV, happening and performance art. This evolution of the art audience and the urge to interact with the work has taken place in the art of ceramics over time. In this study; The adventure of the participatory audience phenomenon was investigated and the effects of this phenomenon on ceramic art were analyzed and interpreted through the works. It is aimed to be a source for future works by evaluating the possibilities brought by the audience, which participates by playing an active role in the art of ceramics, to the material, production style and exhibition opportunities.