Law

Abstract

This chapter offers a reminder that ‘authorship’ is far from an abstract interest for actual literary producers. It is what allows authors to file a legal claim to their works, which for them are not only ‘texts’, or examples of ‘discourse’ in the manner discussed by Roland Barthes or Michel Foucault, but rather pieces of intellectual property. And intellectual goods—eminently portable, endlessly diverse, and difficult to reverse-engineer—were among the earliest to circulate widely throughout the world. They thus required legal protection on a global scale. Offering a revisionist history of the origins of transnational copyright regimes, this chapter thus draws attention to the role that authors—first and foremost that giant of nineteenth-century literature Victor Hugo—played in ensuring the protection of their names.