Rethinking the Narrative in Fe en Disfraz: Latin American Female Slave Stories from Violence to (Self)-Emancipation

J. McClanahan
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Abstract

As with her previous novels, Mayra Santos-Febres explore the often-complex (inter)connections between men and women in Fe en disfraz (2009). In this novel, she takes her readers on a historical exploration into Latin America’s Colonial slave past, intertwining this history with the 21st century. The novel revolves around two Caribbean historians, who are living and working in Chicago, María Fernanda Verdejo, known as Fe, and Martín Tirado and serve as guides on this journey linking the present-day to the past. Through an entanglement of stories, relationships, and historical reflections, Santos-Febres creates a distinctive narrative which helps the reader on this literary expedition. As such, this article addresses how the author’s narrative style combined with reverberations of a bleak period in Latin American history come together to re-contextualize the violent female slave narratives in order to focus on their emancipation, and ultimately, to reveal how the central character vocalizes her own desire to be emancipated from these echoes of the past.
重新思考菲恩·迪斯拉兹的叙事:从暴力到(自我)解放的拉丁美洲女奴故事
和她之前的小说一样,在2009年出版的《迷失》(Fe en disfraz)中,玛雅·桑托斯-费布雷斯探索了男女之间复杂的(内在的)联系。在这本小说中,她带领读者对拉丁美洲的殖民奴隶历史进行了历史探索,将这段历史与21世纪交织在一起。小说围绕着两位在芝加哥生活和工作的加勒比海历史学家展开,María费尔南达·韦尔代霍(又名Fe)和Martín蒂拉多(Tirado)在这段连接现在和过去的旅程中充当向导。通过故事、关系和历史反思的纠缠,桑托斯-费布雷斯创造了一种独特的叙事方式,帮助读者进行这次文学探险。因此,本文将探讨作者的叙事风格如何与拉丁美洲历史上一段黯淡时期的回响相结合,将暴力的女奴隶叙事重新置于语境中,以关注她们的解放,并最终揭示中心人物如何表达她自己从这些过去的回声中解放出来的愿望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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