Minimal Units in the Cinematographic Language

S. Ammer
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Abstract

Most of the pioneer of film semioticians spent their time looking for literal equivalences between linguistic and filmic units. Many discussions about the relation between double articulation and minimal units. Christian Metz is the first among pioneers of film-linguistic. Research problem, Metz says that analyses of the articulation of a “code” like lighting has no equivalent of the double articulation of natural language. So it has no minimal units. That is one of the reasons why Metz considered cinema as a language system not as a language. The research aim: will find out if the lighting has a minimal units or not. By analyses of the articulation of codes in lighting. Research significance: finding out the minimal units in single codes such as lighting assures linguistic cinema. The research follows inferential, descriptive methodology.
电影语言中的最小单位
大多数电影符号学先驱花时间寻找语言和电影单位之间的字面对等。关于双重发音与最小单位关系的讨论很多。Christian Metz是电影语言学的先驱之一。研究问题,Metz说,对像照明这样的“代码”的发音的分析没有等同于自然语言的双重发音。所以它没有最小单位。这也是梅斯将电影视为一种语言系统而非语言的原因之一。研究的目的是:找出照明是否有最小单位。通过对照明中语码衔接的分析。研究意义:找出灯光等单一编码中的最小单位,保证语言电影。该研究遵循推理、描述的方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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