Marjorie E. Wieseman, Alexandra Libby, Melanie Gifford, Dina Anchin
{"title":"Vermeer’s Studio and the Girl with a Flute: New Findings from the National Gallery of Art","authors":"Marjorie E. Wieseman, Alexandra Libby, Melanie Gifford, Dina Anchin","doi":"10.5092/jhna.2021.14.2.3","DOIUrl":null,"url":null,"abstract":"The blocky brushwork and awkwardly positioned figure of Girl with a Flute (National Gallery of Art, Washington) have led many to doubt whether Johannes Vermeer, who painted the superficially similar Girl with the Red Hat (National Gallery of Art, Washington), also made this work. Over the last two years, curators, conservators, and scientists collaborated to resolve the uncertainty surrounding this painting and determined that the painting is not, in fact, by Vermeer. The artist who created this work was intimately familiar with Vermeer’s unique working methods and used the same materials and techniques but was unable to achieve Vermeer’s level of delicacy or expertise—raising the intriguing possibility that Vermeer had associates working with him in his studio.","PeriodicalId":104162,"journal":{"name":"Journal of Historians of Netherlandish Art","volume":"67 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Historians of Netherlandish Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5092/jhna.2021.14.2.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 2
Abstract
The blocky brushwork and awkwardly positioned figure of Girl with a Flute (National Gallery of Art, Washington) have led many to doubt whether Johannes Vermeer, who painted the superficially similar Girl with the Red Hat (National Gallery of Art, Washington), also made this work. Over the last two years, curators, conservators, and scientists collaborated to resolve the uncertainty surrounding this painting and determined that the painting is not, in fact, by Vermeer. The artist who created this work was intimately familiar with Vermeer’s unique working methods and used the same materials and techniques but was unable to achieve Vermeer’s level of delicacy or expertise—raising the intriguing possibility that Vermeer had associates working with him in his studio.