Styly intelektuálních publik

Michael Warner
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Abstract

The essay attempts to rethink the relationships between styles, publics, and politics, as well as the position of intellectuals in it. Any writing, even in the most private form of a diary, as an example from the George Orwell’s novel 1984 shows, is addressed to a public. Paradoxically, the public only exists, as Warner asserts, by virtue of its own address. In this sense, style does perform a political function. However, the critics of the opaque writing of some leftist academics overlook that the public can have a temporal span into the future when they view it only horizontally in terms of its size and deduce the political efficacy of writing on that account. The confusion of the public with citizens in general leads to the undermining of politics by the headline temporality of journalistic publics. Aspirations of some academics for the role of public intellectuals are faced with the fact that for the most part there are currently no conditions for public circulation between these spheres. As a possible counterweight, Warner recalls the approach of Michel Foucault, not merely as a reminder of how it relocated the limits of the political, but also in order to suggest how the path between intellectual work and politics could be bridged by the method of “problematization”: the development of a domain of acts and practices on the scene of a tentative counterpublic.
本文试图重新思考风格、公众和政治之间的关系,以及知识分子在其中的地位。任何写作,即使是最私人的日记形式,比如乔治·奥威尔的小说《1984》,都是面向公众的。矛盾的是,正如华纳断言的那样,公众只存在于自己的演讲中。从这个意义上说,风格确实发挥了政治功能。但是,批评部分左派学者的“不透明写作”的人忽视了这样一个事实:如果只从规模上横向看待,并据此推断写作的政治效力,那么公众也可以有一个时间跨度。一般来说,公众与公民的混淆导致了新闻公众的头条时间性对政治的破坏。一些学者对公共知识分子角色的追求面临着这样一个事实:目前在很大程度上,这些领域之间没有公共流通的条件。作为一种可能的平衡,华纳回顾了米歇尔·福柯的方法,不仅提醒人们它是如何重新定位政治的界限的,而且还建议如何通过“问题化”的方法来连接智力工作和政治之间的道路:在一个试试性的反公众的现场发展一个行为和实践领域。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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