Resepsi Audiens Terhadap Transgender dalam Film Dokumenter Bulu Mata

Kevi Restu Pradhita, Fajar Junaedi
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Abstract

Film is one of the mass communication media that is e ective in disseminating information that aims to convey messages to the public. One documentary lm entitled Bulu Mata tells how transgender life is in a region that ill upholds Islamic law. Transgender is a person who has a gender identity that is di erent from his original gender. In Indonesia, transgender is ill a taboo thing in society and is considered a negative behavior. This study aims to nd out how the audience’s reception of transgender in a documentary entitled Bulu Mata. The theory used in this research is the theory of audience reception from Stuart Hall. This study uses a qualitative descriptive approach method and data collection techniques using in-depth interview method. In this study, it was successful to show audience receptions in interpreting Bulu Mata lms very di erently. Informants with backgrounds who are intere ed in gender issues are in a dominant position, informants with backgrounds that follow Kine’s lm organization are in negotiated positions, and informants who follow Rohis organizations are in oppositional positions.
观众对变性人的反应在纪录片《睫毛》中
电影是一种大众传播媒介,它有效地传播信息,旨在向公众传达信息。一部名为《Bulu Mata》的纪录片讲述了在一个不遵守伊斯兰法律的地区,跨性别者的生活是如何的。跨性别者是指一个人的性别认同与他原来的性别不同。在印尼,跨性别在社会上是一种禁忌,被认为是一种消极的行为。本研究旨在探讨一部名为《Bulu Mata》的纪录片中,观众对跨性别者的接受情况。本研究使用的理论是斯图尔特·霍尔的受众接受理论。本研究采用定性描述法和深度访谈法的数据收集技术。在本研究中,成功地展示了观众对布鲁玛塔电影的不同解读。对性别问题感兴趣的告密者处于优势地位,跟随Kine的lm组织的告密者处于协商地位,跟随Rohis组织的告密者处于对立地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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