The Makna Denotasi dan Makna Konotasi Dalam Film Animasi “Amirotur Ruum” Karya Hadi Mohammadian: Semiotika Roland Barthes

Miya Maulidiyah
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Abstract

This article aims to describe the meaning of denotation and connotation in the animated film Amīrat al-Rūm by Hadi Mohammadian using the semiotic theory of Roland Barthes. Barthes explained that in the meaning of the word, there are two parts, denotation, namely the original meaning contained in the dictionary, and connotation, where this meaning involves human emotions and thoughts. This type of research is descriptive qualitative research, and the data source used is the animated film Amīrat al-Rūm by Hadi Mohammadian. The data collection technique uses watching, listening, and translating. Meanwhile, the data analysis is linguistic messages, unencoded iconic messages, and encoded iconic messages. The results of this study indicate that in the animated film Amīrat al-Rūm many dialogues contain denotative and connotative meanings.
Hadi Mohammadian动画“淀粉样Ruum”的词义和含义
本文旨在运用罗兰·巴特的符号学理论来描述哈迪·穆罕默德的动画电影《am鼠al-Rūm》中外延和内涵的意义。巴特解释说,在词的意义中,有两个部分,外延,即字典中所包含的原意,和内涵,这个意义涉及到人类的情感和思想。这种类型的研究是描述性质的研究,使用的数据来源是哈迪穆罕默德的动画电影am老鼠al-Rūm。数据收集技术使用看、听和翻译。同时对语言信息、未编码的符号信息和编码的符号信息进行数据分析。本研究结果表明,在动画电影《am鼠al-Rūm》中,许多对话都包含了外延意义和内蕴意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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