{"title":"Musical Performance Anxiety: Relations between Personal Features and State Anxiety Levels of Pre-Service Music Teachers","authors":"Onur Topoğlu","doi":"10.15345/IOJES.2014.02.008","DOIUrl":null,"url":null,"abstract":"Article History: Received 23.02.2014 Received in revised form 11.05.2014 Accepted 26.05.2014 Available online 10.08.2014 Musical performance anxiety, also known as stage fright, is such a significant obstacle to music performance that it can interfere with or even end careers. The purpose of the present study was to investigate the relationship between pre-service music teachers’ state anxiety levels just before a concert and their genders, ages, self-efficacy, number of years of playing their instruments, length of daily instrumental practice time, and previous concert performance experiences. Data were gathered from forty-three pre-service music teachers (F=29; M=14) using State-Trait Anxiety Inventory (STAI) (Speilberger, Gorsuch & Luschene, 1970), Self-efficacy Towards Music Ability Scale (Ozmentes & Ozmentes, 2008) and a personal information form including information related with musical performance experience. Additionally, state anxiety inventory was administered to participants just before their solo performances. The results showed that pre-performance state anxiety levels of the female students are significantly higher than for the male students, and significant positive correlations were found between participants’ state anxiety and trait anxiety levels. Additionally, negative significant correlations were found between participants’ self-efficacy in their musical abilities and the number of years of playing their instruments; and a small negative correlation between state anxiety and self-efficacy was found. Results were discussed with reference to related literature and some suggestions were made concerning the results. © 2014 IOJES. All rights reserved","PeriodicalId":358961,"journal":{"name":"International Online Journal of Educational Sciences","volume":"94 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"10","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Online Journal of Educational Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.15345/IOJES.2014.02.008","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 10
音乐表演焦虑:职前音乐教师个人特征与状态焦虑水平的关系
音乐表演焦虑,也被称为怯场,是音乐表演的一个重大障碍,它可以干扰甚至结束职业生涯。摘要本研究旨在探讨职前音乐教师在音乐会前的焦虑状态与性别、年龄、自我效能感、乐器演奏年数、日常乐器练习时间、音乐会演奏经验的关系。数据来自43名职前音乐教师(F=29;M=14)使用状态-特质焦虑量表(STAI) (Speilberger, Gorsuch & Luschene, 1970)、音乐能力自我效能量表(Ozmentes & Ozmentes, 2008)和包含音乐表演经验相关信息的个人信息表。此外,在参与者独奏表演之前,对他们进行了状态焦虑量表。结果表明,女生的表现前状态焦虑水平显著高于男生,状态焦虑水平与特质焦虑水平呈显著正相关。此外,参与者的音乐能力自我效能感与演奏乐器的年数呈显著负相关;此外,状态焦虑与自我效能之间也存在较小的负相关。结合相关文献对结果进行了讨论,并对结果提出了一些建议。©2014 iojes。版权所有
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