Elements of kitsch in the wartime journals of teenagers Hanna Zach and Renia Spiegel

Aldona Kiełpińska
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Abstract

Present in all areas of art for many years, the image of war and the Holocaust also features in novels and non-fiction literature. As the knowledge and popularity of the subject grew, the possibility of shocking the reader with dramatic content decreased, which in turn led to the emergence of a new, disturbing phenomenon. Specifically, the authors tend to exploit the borderlines of what actually shocks the reader, while works based on the memories of war are reduced to simplified and distorted kitsch. Literary kitsch is sometimes associated with sentimentalism, mawkishness and mannerisms of style. All such qualities can be found in the diaries of teenagers growing up during the Second World War: Hanka Zach and Renia Spiegel. The young age of the authors seemsto be the main reason why the memories they recorded gravitate towards kitsch; a defence mechanism aimed at repressing the most traumatic events from consciousness is involved as well.
青少年汉娜·扎克和雷尼娅·斯皮格尔战时日记中的媚俗元素
多年来,战争和大屠杀的形象出现在所有艺术领域,也出现在小说和非小说文学中。随着这一主题的知识和普及程度的增长,用戏剧性的内容震惊读者的可能性减少了,这反过来又导致了一种新的令人不安的现象的出现。具体来说,作者倾向于利用真正震撼读者的边缘,而基于战争记忆的作品则被简化和扭曲。文学媚俗有时与感伤主义、矫揉造作和风格矫揉造作联系在一起。所有这些品质都可以在二战期间成长的青少年的日记中找到:汉卡·扎克和雷尼娅·斯皮格尔。作者的年轻似乎是他们记录的记忆倾向于媚俗的主要原因;一种旨在从意识中抑制最具创伤性事件的防御机制也参与其中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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