Narrative Desire and Textual Consummation in Haida, Tlingit, and Northern-Dene Textualized Orature: A Critical Review Essay on Narrative Revitalization
{"title":"Narrative Desire and Textual Consummation in Haida, Tlingit, and Northern-Dene Textualized Orature: A Critical Review Essay on Narrative Revitalization","authors":"J. Spencer","doi":"10.25071/1925-5624.40384","DOIUrl":null,"url":null,"abstract":"Abstract: Associated with the rubric of desire and consummation are four interrelated challenges for the critical interpretation of oral narratives transformed into printed texts: the boundaries of the discursive (presence and absence), the recursive (orality and literacy), the ontological (animality and humanity), and the metaphysical (reincarnation and rewriting) that occur in the collaborations I examine in this review article of oral-literary methodologies and ideologies. I focus on better-known and lesser-known key examples from Haida, Tlingit, and northern-Dene orature as culturally and linguistically defined bodies of oral literature that follow from two interconnections between them: the bioregional and the bibliographical. By comparing essentially Modern conditions for interpretive uncertainty with interpretive cues found in the stories themselves, through a critical review of the colonial and decolonial poetics of orature, I argue that cross-border ways of thinking with these stories may enact narrative revitalization (cf. Spencer, “Telling Animals”; “The Soundscape”) through the circulation of meaning as “desire” and as “consummation.” \nKeywords: Indigenous languages and literatures; textualized orature; Indigenous epistemologies; decolonial semiotics; comparative poetics","PeriodicalId":280560,"journal":{"name":"Tusaaji: A Translation Review","volume":"39 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tusaaji: A Translation Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.25071/1925-5624.40384","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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Abstract
Abstract: Associated with the rubric of desire and consummation are four interrelated challenges for the critical interpretation of oral narratives transformed into printed texts: the boundaries of the discursive (presence and absence), the recursive (orality and literacy), the ontological (animality and humanity), and the metaphysical (reincarnation and rewriting) that occur in the collaborations I examine in this review article of oral-literary methodologies and ideologies. I focus on better-known and lesser-known key examples from Haida, Tlingit, and northern-Dene orature as culturally and linguistically defined bodies of oral literature that follow from two interconnections between them: the bioregional and the bibliographical. By comparing essentially Modern conditions for interpretive uncertainty with interpretive cues found in the stories themselves, through a critical review of the colonial and decolonial poetics of orature, I argue that cross-border ways of thinking with these stories may enact narrative revitalization (cf. Spencer, “Telling Animals”; “The Soundscape”) through the circulation of meaning as “desire” and as “consummation.”
Keywords: Indigenous languages and literatures; textualized orature; Indigenous epistemologies; decolonial semiotics; comparative poetics