Silent Scenes in Manga as the Powerful and Universal Visual Languages

Hafiz Aziz Ahmad
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Abstract

Comics as the popular medium of communication, especially medium for the children due to its capabilities in telling stories with its visual narrative has been known for quite long. Manga as the form of comic medium that came from Japan is also well known for its uniqueness. Due to the strong relation within the Japan cultural background, manga has integrated its own distinctive way in telling the stories, visually. One of the methods is known as the silent sequences. The silent sequences term is used to mention the scene in comics that told using minimal sequence and with very little -if any- text or narration. Some even used several of unconnected scenes to create a specific mood or a sense of place. Such scenes could be found in abundance in various manga works, notably in the works of Osamu Tezuka or Mitsuru Adachi. Scott McCloud "“a comic scholar- relates these sequences as the solid example of moment-to-moment and aspect-to-aspect type of panel transition. By using mostly visual images with less text and narration as the way of telling stories and creating the exact mood for the scenes, the silent sequences could serve as a good example of the universality and power of comic language. This paper is intended to take further analysis behind the context of the silent sequences and the possibilities in using it as a more universal way in visual communication as part of the power in children's literature.
漫画中的无声场景作为强大和通用的视觉语言
漫画作为一种流行的交流媒介,尤其是儿童的媒介,因为它具有用视觉叙事讲故事的能力,已经被人们熟知了很长时间。漫画作为一种来自日本的漫画媒介形式,也以其独特性而闻名。由于与日本文化背景的紧密联系,漫画在视觉上融入了自己独特的叙事方式。其中一种方法被称为无声序列。“无声序列”一词指的是漫画中使用最少序列、很少(如果有的话)文本或叙述的场景。有些人甚至使用几个不相关的场景来创造一种特定的情绪或地方感。这样的场景在各种漫画作品中随处可见,尤其是手冢治虫或足立光的作品。Scott McCloud(一位漫画学者)将这些序列作为瞬间到瞬间和方面到方面类型的面板过渡的坚实例子。通过使用更多的视觉图像,较少的文本和叙述来讲述故事,并为场景创造准确的情绪,无声序列可以作为喜剧语言的普遍性和力量的一个很好的例子。本文旨在进一步分析无声序列背后的语境及其作为儿童文学力量的一部分,在视觉传达中作为一种更普遍的方式使用的可能性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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